Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“Yes. And so, you see, you’ve always got a feeling that he’s keeping
something back in himself, something rather important, if you see what I
mean, something you can’t get a grip on but that’s there to _be_
gripped, that Napier would like to be gripped, if you see what I
mean----”
“I’ll tell you what I see, Venice. I’ve seen it before, and so I
recognise it----”
“But I don’t want to hear about your fancy friends! I want to talk about
myself.”
“The matter is, Venice, that any woman in love with a reserved man will
pass her spare time in ascribing stormy villainies to his secret nature,
whereas generally the poor devil is----”
“Stormy villainies,” said Venice quietly, “is good.”
“Women,” I said largely, cursing myself, “are always making themselves
miserable about what they don’t see in a man, as though what they did
see wasn’t quite enough.”
The full dry lips ravaged the cigarette for a while. Then they said
thoughtfully: “The other night we were dining at Fay Avalon’s, just a
very few of us, and when some one said that Mrs. Storm was a
nymphomaniac Napier went as white as death----”
“And what did the other guests do, Venice? It’s the least Napier could
have done, as she’s an old friend of his.”
“Of course,” said Venice very calmly, looking into her cup as though for
more coffee. “I don’t know her, or anything about her, except just what
people say. And I’d never have known that Naps even knew her if I hadn’t
seen him speak to her that night at the Loyalty. That was the night her
brother died, wasn’t it? Napier had never mentioned her name before--nor
since, if it comes to that, until last night, when he seemed so upset
about her that after a while I upped and said he could go and take a
room at the nursing-home if he liked----”
“Wasn’t that rather harsh, Venice? After all, he’s known her a very long
time, and it upsets any one to see an old friend very ill.”
Public-domain text, read in full here on John Shaqi.
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