Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“Oo, what a long way to go for a minute!” sighed Venice. “When one can
always telephone....” And she rose from her chair. Somehow an immense
new dignity had suddenly come on Venice. Napier rose, facing her,
smiling under his scowl, as though she had made a joke. I rose, saying
that I must be going.
“As a matter of fact,” said Venice brightly, “as I knew you were so
worried about her I rang up that place this morning, and they told me
she was _assez bien_, if you see what I mean....”
“Venice, that was kind!” Napier smiled with his whole thin, fine face,
and I thought how glad I was that he didn’t know what had caused Iris’s
illness, for would he then have smiled gratefully at Venice for
inquiring after her? And he said, as though happy in her understanding:
“I mean, we can start off first thing in the morning, can’t we? What?
It’s rotten luck, cutting in on your holiday like this, but--well,
friendship has duties....”
“But of course I understand, Naps!” And Venice turned at me, smiling as
though to show me what sort of a man that Napier was. As though she
didn’t understand! As though she didn’t know the duties of friendship!
She said to Napier, with a fine air of business settled: “Well, I’ll
just go upstairs now and tell Mary to unpack some things again. And I do
so hope, Naps,” she said with a fine large smile, “that your friend
won’t die, for then how will I manage a man who has nothing left to live
for?” And Venice turned to me, and her hand was in mine, and we were
saying good-bye, when Napier said briskly:
“Come on, then. We’ll go now. Might as well, now the car’s there....”
“But, Naps!” Venice turned on him, stared wide at him....
“Oh, come on,” said Napier, as though eaten by impatience.
“But!” she pleaded desperately. “But, Naps, I don’t really want to go
now a bit if you would rather stay until to-morrow....”
“I don’t want to stay,” said Napier, quite reasonably, but he turned
away as he spoke. One saw the set white profile. “Come along, Venice.
There’s been enough talk about this already....”
“But, Naps,” said Venice bitterly, “it’s wrong of you to go now, if she
needs you. You know it’s wrong and naughty, what you’re doing. Naps
dear, I’d very much rather not go now if you don’t mind----”
“Well, you’ll jolly well have to go now, if at all,” Napier tore at her
so sharply that she stared at him dumbly for a full second, and then
she made a white smile, half to him, half to me. “Silly baby,” she said.
“Such a silly baby....” And she was again about to say good-bye to the
unwilling spectator when Napier broke in, to me, beginning with
astonishing grimness and ending quite conversationally: “I say, if you
should happen to see Iris in the course of the next few days, you might
tell her I couldn’t stop, and”--here the grimness suddenly ended--“say
good-bye from me. Will you? What?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account