Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
But Iris, over that luncheon, did not appear to remark that I had
nothing in particular to say. And, what with the heat and with that, I
suppose I grew more and more annoyed, for there isn’t, I suppose,
anything in the world more irritating than to be angry with a woman and
she not notice it at all. Of course many women will appear not to notice
it, but you can see that that is put on; but this Iris just, I’ll swear
it, did not notice anything.
Nor, I thought, did she have a very healthy appetite for one not long
since recovered from a serious illness, the way she picked at bits of
things here and there; but she excused herself to Charles, who came up
to protest against the dishonour she did his food, on the ground that
she never did eat with her meals.
And then there was a moment when I asked, from a large silence which
seemed to her maddeningly natural, I just asked paternally, since it is
always easier to be paternal than to be fraternal: “Happy, Iris?”
She was buttering a piece of _toast Melba_ about half an inch square. My
question stayed her knife. She stared intently towards the doors of the
restaurant for a long second, and then she said, frankly, gravely,
calmly, not at all intensely but with unutterable conviction:
“Unbearably.” Then she went on buttering her piece of _toast Melba_, and
I could do what I liked about it.
Now I must say this for the Iris who sat with her profile to me that
day, that she was a more lovely Iris even than the one I had known. But
as to how she was more lovely, that I do not know; nor, if I knew, could
I describe it but by using the word “ethereal,” to be immediately
followed by the word “unearthly,” for it is a convention not to be
broken lightly that a woman who has not long since recovered from a
long illness must look “ethereal” and “unearthly.” But she didn’t, I
think, look either of those two things. She seemed, I mean to say, more
lovely than ever just because she was more earthy. She looked, I fancy I
mean, in love--her skin, that is to say, looked as though she who wore
it was in love. Yes, her skin did. I fancy it must have been that. A
beautiful woman in love and loved seems, in however unaware a moment, to
glow with an earthy beauty. When writers say that “Gloria was looking
very spiritual that morning” what they really mean--of course, this is
all theory--is that Gloria was looking more earthy that morning, that in
her eyes there was the afterglow of love’s delight. A beautiful woman
neglected or unloved appeals, of course, more to the chivalrous sense in
men, for men will stand more of a chance of a sad woman being interested
in them; but the very skin of a woman who is coiled in love seems to
have a jewel-like quality, and her mind is like a temptation one wants
to touch.
“And,” I said, fascinated for some reason by the faint, faint golden
down on her arm, “you’re quite well and strong now?”
“Of course,” she said, “not as strong as all that. But strong
enough....”
Public-domain text, read in full here on John Shaqi.
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