Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
The second picture is of a darkness. A darkness torn here and there by
the sudden flame of a match which drove the stars trembling back into
the invisible and joined to groping eyes the silky soft blackness of the
water. The black night pinned round the world with stars, shouts,
laughter, splashings, an empty boat, silence, shrieks, a whisper from
the black face of the water, and so home. Total losses: one stocking and
one emerald. “I’m so glad, so glad,” she whispered, just before going to
sleep against my shoulder, for it was Hugo Cypress who was riding the
stork homeward.
But I have said that whilst we were on our way riverwards, and I sitting
beside Iris as she hurled us headlong through the still night, we stood
at enmity, she and I--for Venice! And yet, so far as I could make out,
there was not a soul but myself out of that party, Guy, Napier, Venice,
Hugo, Shirley, Iris, who seemed in the least degree uncomfortable. Those
people had been, throughout dinner and afterwards, completely and
supremely normal. For all you knew, I mean, they might have been having
fun. There weren’t any undercurrents. Not even what you would call any
undercurrents. Those people were quite calmly themselves, they just
_behaved_ as themselves in that confoundedly unassailable way which is
peculiar to the people of this small island: as though, to be sure, they
weren’t giving away anything of a personal nature even to themselves.
You can’t help seeing why Napoleon found these people so detestable.
Public-domain text, read in full here on John Shaqi.
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