Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“Because,” Napier flashed, “I love you, and I’m damn well going to have
these people respect you as I do.... That lie Iris spread about the
reason for Boy’s death was because she didn’t care what happened to her.
She just didn’t care. But she wanted people to think as well of Boy as
people can of a suicide. She wanted Gerald to keep his little tin-god
hero. And she had it all her own way because the doctor at the hotel in
Deauville was a friend of hers and let nothing out. She just didn’t care
what people thought of her, and so she said that Boy had died ‘for
purity.’ That might mean anything, and so of course we all took it to
mean the worst thing as regards Iris. Oh, she knew we would. Well, so
Boy did die ‘for purity.’ He was mad with love for Iris, and from the
moment she had to give me up he pestered her to marry him. Then one day
she surprised him by saying she would. I suppose she surprised him by
giving way in the end, and instead of the cad saying he couldn’t, he
took her while he had the chance. He----”
“Napier!”
“He had syphilis when he married her, and went mad when he realised what
he had done. That’s all. There’s your Boy Fenwick. There’s Iris, that’s
Iris!” He turned to her blindly. She was staring, so thoughtfully, at
the carpet. “Come, Iris. We’ll go now. And we’ll begin again from the
time you and I said good-bye under Harrod’s.”
“You’ve taken from me,” the husky voice whispered to the carpet, “the
only gracious thing I ever did in my life. Yes, let’s go.”
They were going in silence. Iris had one foot in the garden when across
the silence darted the neat figure of Sir Maurice. He touched her
shoulder. “Iris,” he said. She looked round at him with huge,
sleep-walking eyes.
“Iris,” Sir Maurice said. He was holding out his hand.
“I can’t,” she whispered. “I’ve hated you so bitterly, so long. I can’t.
Maurice, please don’t ask me.”
“I do ask you, Iris. I beg it from you. You are good.”
Iris’s eyes were as though transfixed over the taut old gentleman’s
shoulder. Iris’s eyes were on Venice. Napier had touched Venice’s hand,
and somehow as he had made to kiss her cheek she had started back
frantically ... and had instantly smiled ... brightly. Iris’s eyes
seemed to dilate. Then she took Sir Maurice’s hand. “Thank you,
Maurice. But it is Venice who is good. Venice is good. Good-bye.”
They went silently. For a second the green hat flamed in the mist of the
light that fell on the lawn, and then the green hat was gone. I stared
out into the garden.
I remember a “hm” just at the very moment when behind me there was a
thud of some one falling, and Guy’s murmur: “Hand me that brandy,
Maurice.”
Venice sat very erect in a great leather armchair. Her eyes were closed.
Sir Maurice darted about. He waved at me that black ebony paper-knife.
He smiled that ancient smile. “Boy, we shouldn’t make hard-and-fast
rules for any one but ourselves. And not even for ourselves. Leads to no
good....”
Public-domain text, read in full here on John Shaqi.
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