Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
Hilary, like all middle-aged men who detest night-clubs, at once left me
to dance with the first acquaintance he saw. This was Mrs. Ammon.
Whereas I, in not dancing, was following an example set by many present.
We, we watched our elders dance with each other’s mothers, and for them
the band on the balcony played with a sensibility approaching grief.
There was no tune. But it is absurd, this querulous demand of young
people for “tunes”! Our fathers and our mothers have done with “tunes.”
Let there, our uncles say, be a rhythm. Let there, say our aunts, be
syncopation. There was a rhythm. There was syncopation. Grave, profound,
unforgettable, there was a rhythm. It had a beat like the throbbing of
an agonised heart lost in an artery of the Underground. Dolorous it was,
yet phantasm of gaiety lay twined in it. They call this rhythm the
Blues. It reminded you of past and passing things. It reminded you of
the days when, people over forty had still enough restraint not to crowd
out every ballroom and night-club with their dancing in open formation,
playfully aiming at each other’s tonsils with their feet. It reminded
you of the scent tangled in the hair of she with whom you had last
danced to that rhythm. You saw the soft line of her face by your
shoulder, the tender pocket behind her ear, the absorbed excursion of
her breath through her nostrils, the dark eyebrow over which you would
lightly pass the third finger of your left hand but that it would soil
the tip of it. You mourned the presence of the dead. You mourned the
memory of the living. They call this rhythm the Blues. It reminded you
of regret. It reminded you of a small white face suddenly thrown back
against your arm with a smile that disturbed the dance. It reminded you
of the desire that pleasantly turns to dust when you are desired. It
reminded you of things you had never done with women you had never met.
You danced again at the Ambassadeurs at Cannes, with the masts of
yachts drawn ebony-black between the tall windows and the pale blue
night over the sea. The Lido lay like a temptation before your mind, and
the songs of the gondoliers raved into the measure of whispering feet.
The Spanish King brushed by you at San Sebastian, eating salted almonds,
again you hesitated in the dance at Biarritz to listen to the roar of
the Atlantic, and across a perfumed street in Seville you again saw the
shiver of a mantilla through the cracked window of a cabaret. You danced
again beneath the vermilion moon of Algeria, between the American Bar
and the pyramid-cypress tree. You danced again in the Bois in Paris, the
trees like monstrous black pagodas against the night, the stars
brilliant as sequins on an archangel’s floating cloak, the magically
white faces of women, the lights in the night making love to the black
shadows in their hair, their lips red as lobsters, their arm-pits clean
as ivory, the men talking with facile gestures, the whole tapestry of
Public-domain text, read in full here on John Shaqi.
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