Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
Riding.” That was why one maintained a defensive alliance with one’s
haddock rather than do the manly thing and dance with Lady Pynte. She
would say one ought to be riding, and for four years I had hidden from
Lady Pynte the fact that I did not know how to ride. I simply did not
dare to confess to Lady Pynte that I could not ride. I had already tried
to pave the way to that dénouement by confessing that I came from the
lower classes, but she did not appear to think that any class could be
so Low as that. She would show one round her stables, and one felt an
awful fool standing there in the cold being expected to be intelligent
about the various horses, whereas one could only mutter, “Ah, good
horse!” or “Oh, there’s a fine horse!” until one day I remembered what
Peter Page, the critic, had once told me, that whenever he was shown a
horse by a horse-lover he would instantly say “What withers!” and thus
create a sound and manly impression as a horse-fancier. But when I came
out impressively with “What withers!” I thought that Lady Pynte looked
at me suspiciously, and Hilary, who was also fancying horses with us,
told me later that it wasn’t done to look a lady straight in the eye and
say “What withers!” Horses make life complicated, that is what it is.
Hugo Cypress, dancing by with his wife Shirley, called out: “Ho, there!
Seen the evening-paper? Friend of yours....”
“What?” I said. “Hugo....” But what on earth was this about the
evening-paper? I was agitated--suddenly, I was very agitated indeed.
There is something quite beastly about evening-papers, beastly and
naked....
Astorias stayed his men, and Hilary came back to the table. Gloomily he
looked at the angel that was frozen to its horse. And he looked worried.
“Hilary, what’s this I heard Hugo murmuring about the evening-paper?”
“Gerald,” said Hilary. “Hm....”
“But what, Hilary? Not serious, surely?”
“Oh, not serious,” Hilary grunted. “Not serious. Hm. Just a nasty silly
mess, I think. Didn’t catch what. Hm....”
I realised then that I had known all the time. That curious, hopeless
grinning.... But, good Lord, what sort of a mess? Hilary didn’t know.
“Something in the evening-paper,” he said. Hilary looked hurt, worried,
and I had that jumpy feeling that I must do something at once. But what
sort of a mess? A drunkard’s row? What? Hilary didn’t know, and I was
just about to ask the waiter if he could find me an evening-paper when
two figures by the door held my eye. And a third just behind them.
“Kids!” murmured Hilary, with a sort of grudging smile. And they looked
just that, for all their beauty--“kids.” One saw them playing together
under a tree. A long while ago, they had played together under a tree.
The favourite of the gods and the shameless, shameful lady....
“Hm,” grumbled Hilary. “Imitation....”
Public-domain text, read in full here on John Shaqi.
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