Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“No good, Hilary,” Guy was murmuring. “He won’t, because it’s what those
fellows call News. And if you try you will only upset young Venice and
make her perhaps feel she’s in the other camp, rather the wrong camp for
her, she might think, and just as she’s marrying Naps. She’s a good
girl, loyal as anything to her father--and he’s a good fellow enough,
but he’s got a queer complaint called Consistency. It’s something you
make money out of, I think. I know him very well, as I’ve blackballed
him from three clubs. My God, ever seen the man’s jaw?”
“She’s lovely, I thought,” Iris said.
“Good girl, Venice....”
“Hell ...” said Iris suddenly, breathlessly.
“What?” Hilary jumped.
“Only ... hell is raving with millionaires with jaws like Mr. Pollen’s.
I’ve dreamt, I know. People who snap ‘Yes’ and ‘No’ very brusquely and
then stick to it, no matter what it is. This century likes them like
that. Come along, my friend, come along!”
And in a trice Iris and I were walking up the long passage which
connects the Loyalty Club to the pavement of Pall Mall. On one side it
is hung (but this is two years ago) with glass cases laden with fine cut
jades and ambers, while small blue and green figures of animal men,
human animals, and bestial gods will delight the eyes of Egyptologists:
on the other the faces of beautiful women and children will testify to
the photographic art of Sebastian Roeskin of Dover Street. Iris walked
swiftly, heroically, her eyes intent before her, impersonal, utterly
unself-conscious. The glaring lights in the passage lit her
swiftly-moving green-and-silver shoes, or were they sandals with high
heels? and so intent were the flippant silver-flashing ankles, briskly
striding on, as though chiming the never-to-be-known marching song of a
lady who must always meet men on their own ground.
She said: “You’ll be wondering how I came to dine with a man like Victor
Duck. Well, I’ve been wondering myself. Poor Victor Duck. He has taken
to caddishness like a drug, and he goes on increasing the doses. It’s
almost fascinating to watch, just to see what inevitable things he will
say next. And he said and did them all, every one, even to ‘Dear little
girl’ and to ordering a private room. But I said I never dined in
private rooms on Fridays.”
There was a group of tall young men at the entrance, maybe waiting for
their women from the Cloak-Room, maybe waiting for sirens to come to
them from the night, maybe waiting for taxicabs, maybe only waiting for
the next minute, as young men will. Admirably formal they looked,
admirably toned to the dress-coats of Davies, the trousers of Anderson
and Sheppard, the hats of Lock, the waistcoats of Hawes and Curtis, the
ties of Budd. Handkerchiefs by Edouard and Butler. The glory to God.
They looked furtively at Iris in the way that decent men will at a woman
who is said to have had lovers, like cows at a bull. One of them said
gloomily: “Might go to the Albert Hall Ball.”
Public-domain text, read in full here on John Shaqi.
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