Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
Essentially an aristocrat, in person dainty, neat, fastidious,
Cherry-Marvel’s art was essentially democratic, for it abhorred all
limitations and exacted from him its complete display on every occasion,
whether lofty, literary, or plebeian, which came before his relentlessly
alert eyes; and you can hear, through the last sixty years of English
social history, the rise and fall of Cherry-Marvel’s voice, each word
dropping on a stunned silence like a long-polished jewel. Eager,
exquisite, always prepared, always with a handkerchief fluttering
between his breast-pocket and the corner of his eye, you must imagine
him against the tapestry of wasted time, a figure of ancient, æsthetic
_dandysme_, on immaculate lawns, in drawing-rooms, up and down terraces
of palazzos, in clubs and cabarets. You might enter a spacious
drawing-room in Rome, a museum in Naples, a friend’s villa in Capri, you
might stray from your boat in a South Sea lagoon into the smoking-room
of the hotel, you might steal a moment from your companions to see the
moonlight on the Pyramid.... Oh, you might be anywhere, and suddenly you
would hear that voice, rising and falling, relentless, ageless,
enchanting even lions to silence, with here and there a sudden, profound
drawl on one word, any word, “de-ar,” and you would, fascinated, be
compelled to face him--there, with full pale lips drawn wide apart,
wicked blue eyes absorbed with cunning ecstasy in your stunned
attention, the while, infinite as fate, he joined together the perfected
pieces of his art with the word “whereupon,” which lounged from his
tongue in a crescendo to a cry of sadic exaltation. And while you
laughed at some elaborately phrased conceit, wondering how he had
remembered the order of the words so well, he would watch the effect of
his art with kind, cunning eyes, one wrist suspended in the air, his
handkerchief fluttering towards the corner of his eye, in consummate
politeness to show how he, too, by your laughter, was appreciating the
full flavour of his art ... “whereupon Elsa, who, by the way, had really
a very amusing experience in Venice last Autumn, and one which I am
positive that you, with your sort of mind....”
Public-domain text, read in full here on John Shaqi.
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