Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
“Thank you. I’m sure they’re very nice. They won’t leak, you say? How
much?... Thank you ... no, I prefer these.... If you’re sure they won’t
leak.... Yes, my number is 2157.... Thank you.”
Outside in Victoria Street she said: “I might have given her until
quarter to four. I daresay she’s been waiting all this time.”
But Millie for the first time in all their days together was angry with
Katherine. She said to herself: “She’s going to forget us all like this
now. We aren’t, any of us, going to count for anything. Six months ago
she would have died rather than hurt mother....”
And behind her anger with Katherine was anger with herself because she
seemed so far away from her mother, because she was at a loss as to the
right thing to do, because she had said that she had seen Philip with
Katherine. “You silly idiot!” she thought to herself. “Why couldn’t you
have kept your mouth shut?”
Mrs. Trenchard spoke no word all the way home.
* * * * *
Katherine was not in the house when they returned. Millie went upstairs,
Mrs. Trenchard stared at the desolate drawing-room. The fire was dead,
and the room, in spite of its electric light, heavy and dark. Mrs.
Trenchard looked at the reflection of her face in the mirror; with both
hands she pushed her hat a little, then, with a sudden gesture, took it
off, drawing out the pins slowly and staring at it again. Mrs. Trenchard
glanced at the clock, and then slowly went out, holding her hat in her
hand, advancing with that trailing, half-sleepy movement that was
peculiarly hers.
She did then what she had not done for many years: she went to her
husband’s study. This hour before tea he always insisted was absolutely
his own: no one, on any pretext, was ever to disturb him. To-day,
cosily, with a luxurious sense that the whole world had been made for
him, and made for him exactly as he liked it, he was, with a lazy
pencil, half-writing, half-thinking, making little notes for an essay on
William Hazlitt.
As his wife entered he was reading: “How fine it is to enter some old
town, walled and turreted, just at the approach of nightfall, or to come
to some straggling village, with the lights streaming through the
surrounding gloom; and then, after enquiring for the best entertainment
the place affords, to take one’s ease at one’s inn! These eventful
moments in our lives’ history are too precious, too full of solid,
heartfelt happiness to be frittered and dribbled away in imperfect
sympathy. I would have them all to myself, and drain them to the last
drop.”
Public-domain text, read in full here on John Shaqi.
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