Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
“I haven’t written to you all these weeks because I was determined not
to write to Russia until I was settled and happy and married for life.
Then, also, you yourself have not written. Have you all, over there,
forgotten me? Russians never do write letters, do they? I don’t suppose
I ought to be disappointed—you warned me. If I’d forgotten all of you
there—but I haven’t. I thought for a time that I had, but I haven’t ...
then a bell rings, and all the servants troop in and kneel down in a row
with their heels up, and George Trenchard reads a bit out of the New
Testament and, very fast, a prayer about ‘Thy humble servants’, and he
has his eye on the weather out of the window all the time. Afterwards
there is the Post—also eggs, bacon, marmalade, brown bread and white
and the family arriving one by one with ‘sorry I’m late!’ Fancy a
Russian saying: ‘Sorry I’m late’!... so the day’s begun. Afterwards,
everyone has their own especial job. I don’t know what my especial job
is supposed to be. George has his writing and the whole place—fences,
weeds, horses, dogs—anything yon like. He fancies himself Walter Scott
at Abbotsford, and is as happy as the day is long; Mrs. Trenchard has
the village and the inside of the house (with Katherine her lieutenant).
There is no living soul from the infant of a week to the old man of
ninety-seven (John Wesley Moyle—he sees visions) who does not have his
or her life exactly and precisely arranged. Mrs. Trenchard has a quiet
hypnotic power that fills me with terror, because I know that I shall
soon be ranged with all the others. She is kindness itself I am sure,
and no cloud passing across the sun’s face makes less sound—and yet she
has always her way. Oh, Paul, old man, I’m frightened of her as I have
never been of anyone before. When I see her here I want to run. I had a
horrible dream last night. The terror of it is with me still. I thought
that I said good-night to everyone and went up to my bedroom. To my
surprise I found Mrs. Trenchard there, and instead of my usual bed was
an enormous feather-bed—an _enormous_ one stretching from wall to wall.
‘You will sleep on that to-night,’ said Mrs. Trenchard, pointing to it.
In some way I knew that if I once lay down upon it I should never get up
again. I said ‘No, I would not lie down.’ ‘I think you’d better,’ she
said in her slow way. ‘I think you’d better.’ ‘No!’ I cried, ‘I defy
you!’ Instantly the feather-bed like a cloud rose, filled the room, was
above me, under me, around me. It pressed in upon me. I tore at it, and
the feathers floated in a great stifling fog against my eyes, up my
nose, in my mouth. I screamed for mercy, I fought, I fell, I was
suffocating, death was driving down upon me ... I woke. There’s nonsense
for you! And yet not such nonsense neither. On a stuffy day here, when
everything steams and the trees and grass and hedges close up about the
house like an army, when Mrs. Trenchard, with Katherine, is arranging
Public-domain text, read in full here on John Shaqi.
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