Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
Half an hour before church Rachel Seddon and Uncle Tim were alone
together in the drawing-room. She was standing, prepared and waiting,
staring through the windows at the wild meadow that seemed now soaked
with moisture, bent before the dripping wind. She was thinking very
deeply. She did not at first hear Uncle Tim, and when, turning suddenly,
she saw him, she thought how exactly he suited the day. By his
appearance he instantly justified the atrocious weather: he was wearing
a rough grey suit and a low flannel collar: his heard and hair
glistened, as though the damp had soaked through them, he carried a
muddy trowel in his hand. He came hurriedly into the room, as though he
were searching for something. Then when he saw Rachel he stopped, put
the trowel down on one of the drawing-room chairs, smiled at her, and
came across to her. She had never known him very well, but she had
always liked him—his genial aloofness, the sense that he always gave of
absolute independence, cheerful but never dogmatic, pleased her. Now she
was troubled, and felt that he could help her.
“What’s the matter with Katie?” she said, abruptly, looking at him with
sharp but deeply honest eyes.
He felt in his tumbled pockets for his pipe and tobacco, then slowly
said:
“I was just off for worms—I wanted Henry, but I suppose he’s going to
church.... Katie?... Why?”
“I don’t know why. I want to know. It’s been these last few days—ever
since—ever since—Saturday, Friday, Thursday—the day at Rafiel. She’s
unhappy.”
“The lovers have had a quarrel.”
“If it were only that!... no, that’s not Katie, and you know it isn’t.
Philip’s done something—told her something—”
“Ah, you think that because you dislike him.”
“I don’t know that I do—now. I certainly did at first, but now—here
... I don’t know. He’s so much younger than I’d expected, and he is
really trying his best to suit himself to the family and the place. I’m
sorry for him. I rather like him after all. But _what_ is the matter
with everyone? Why is the house so uncomfortable? Why can’t it all be
just smooth and easy? Of course we all hated Katie being engaged at
first—I suppose we thought that she might have done better. But now
everyone ought to be used to it: instead of being used to it, it’s
positively ‘nervy’ the atmosphere.”
“It’s simply,” said Uncle Tim, pressing down his tobacco into his pipe,
“the attack by a Young Man with Imagination upon a family without any.
The Young Man’s weak of course—people with imagination always are—he’s
weak and impatient, and insists upon everything being perfect. All the
family wants is to be let alone—but it will never be let alone again.
The break-up is beginning.”
“The break-up?” said Rachel.
Public-domain text, read in full here on John Shaqi.
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