Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
“I know what it is,” she said. “You’ve been wondering why I haven’t
spoken to you about what you told me the other day. You’ve been thinking
that I ought to, haven’t you?”
“No, it’s only that I’ve wondered whether perhaps you’ve changed your
mind since then. Then you didn’t seem to be angry, but, thinking about
it afterwards—”
“Why, Phil,” she said, “how could there be anything different? It’s all
gone, finished. You don’t suppose that I ever imagined that you’d never
loved another woman before you met me. I’m interested, that’s all.
You’ve told me so little about her. I’d like to know all sorts of
things—even quite little unimportant things—”
“It would be much better,” he said slowly, “if we just left it and
didn’t talk about it.”
“But I thought you wanted me to talk about it?” she cried. “How funny
you are!”
“No, I didn’t _want_ you to talk about it. It’s only that I didn’t like
there being constraint—I don’t see why you should care. It’s like
talking about someone who’s dead.”
“But she isn’t dead. Do you suppose, Phil—would she, do you think, like
you to go back?”
“No, I’m sure she wouldn’t—at least I don’t think so.”
“Was she the kind of woman who forgets easily, who can put people out of
her life just as she wants to?”
“Anna ...” His voice lingered over the name. “No, I don’t think she ever
forgot. She was simply independent.”
“Would she think of your boy and want him back?”
“She might.” He suddenly stopped. “She might. That evening he was so ill
she—”
Katherine looked across the fields to Pelynt Cross, dim and grey beneath
the rain.
“She had a heart, then,” she said slowly.
He suddenly wheeled about with his face to Garth. He spoke sharply and
roughly in a voice that she had never heard him use before.
“Don’t, Katie—leave her alone. What do you go on about her for?”
“But if it’s all dead?”
“Oh, drop it, I say! That’s enough.”
She knew that she was a fool, but something—or was it somebody?—drove
her on.
“But you said just now that you wanted me to be frank.”
His voice was a cry.
“You’ll drive me mad, Katie. You don’t seem to have any conception—”
“Very well. I won’t say anything.”
They were quite silent after that: the silence swelled, like a rising
cloud, between them: it became impossible to break it ... they were at
Garth gates, and they had not spoken. She would have said something, but
he turned abruptly off into the garden. She walked, with her head up,
into the house.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account