Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
That night, when they had all gone up to their rooms, she stood for a
moment waiting outside her bedroom door, then, as though some sudden
resolve had come to her, turned and walked to her mother’s door. She
knocked, entered and found her mother standing in front of her
looking-glass. She had slipped off her evening dress, there with her
short white sleeves, from which her stout, firm, bare arms stood out
strong and reliant, with her thick neck, her sturdy legs, she seemed, in
spite of her grey hair, in the very plenitude of her strength. Her mild
eyes, large and calm, her high white forehead, the whole poise of her
broad, resolute back seemed to Katherine to have something defiant and
challenging in it. Her mouth was full of hair-pins, but she nodded and
smiled to her daughter.
“May I come in, Mother,” said Katherine, “I want to speak to you.”
Katherine thought of that earlier occasion in that same room when she
had first spoken of her engagement. How far apart since then they had
grown! It seemed to her to-night, as she looked at that broad white
back, that she was looking at a stranger.... Yes, but an extraordinary
stranger, a really marvellous woman. How curious that Katherine should
have been living during all those years of intimate affection with her
mother and have thought of her never—no, never at all. She had taken
her, her love, her little habits, her slow voice, her relentless
determination, her ‘managing’—all these things and many more—as though
they had been inevitably outside argument, statement or gratitude. But
now, simply because of the division that there was between them, she saw
her as a marvellous woman, the strangest mingling of sweetness and
bitterness, of tenderness and hardness, of unselfishness and relentless
egotism. She saw this, suddenly, standing there in the doorway, and the
imminent flash of it struck her for an instant with great fear. Then she
saw Philip and gained her courage.
“I want to speak to you, Mother,” she repeated, moving into the middle
of the room.
“Well, dear ...” said Mrs. Trenchard, through the hair-pins. She did not
let down her hair, but after another glance into the mirror, moved away,
found a pink woolly dressing-gown, which she put on. Then sat down on
the old sofa, taking up, as she always did, a little piece of work—this
time it was some long red worsted that she was knitting. It curled away
from her, like a scarlet snake, under the flickering light of the
candles on her dressing-table, disappearing into darkness.
Katherine stood in front of her mother, with her hands behind her, as
she had done when she was a very little girl.
“Well, dear, what is it?” said Mrs. Trenchard again.
“Mother—I don’t want you to have Philip down at Garth.”
“Why not, dear? I thought you would like it.”
“He isn’t happy there.”
“Well, he’s only got to say so.... He needn’t come.”
“If he doesn’t—he’s afraid.”
“Afraid of what?”
Public-domain text, read in full here on John Shaqi.
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