Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
Henry also was thinking of Anna. From where he sat he could, behind his
book, raising his eyes a little, see Philip. Philip was sitting, very
straight and solid, with his short thick legs crossed in front of him,
reading a book. He never moved. He made no sound. Henry had, since the
day when he had broken the mirror, avoided Philip entirely. He did not
want to consider the man at all; of course he hated the man because it
was he who had made them all miserable, and yet, had the fellow never
loved Katherine, had he remained outside the family, Henry knew now that
he could have loved him.
This discovery he had made exactly at the moment when that book had
fallen crashing into the mirror—it had been so silly, so humiliating a
discovery that he had banished it from his mind, had refused to look
into it at all.
But that did not mean that he did not contemplate Philip’s amazing life.
He contemplated it more intensely every day. The woman had all the
mystery of invisibility, and yet Henry thought that he would know her if
he saw her. He coloured her according to his fancy, a laughing, tender
figure who would recognize him, did she meet him, as the one man in the
world for whom she had been searching.
He imagined to himself ridiculous conversations that he should have with
her. He would propose to marry her, would declare, with a splendid
nobility, that he knew of her earlier life, but that “that meant nothing
to him.” He would even give up his country for her, would live in
Russia, would ... Then he caught Philip’s eye, blushed, bent to pull up
his sock, said, in a husky, unconcerned voice:
“Do play something, Millie. Something of Mendelssohn.”
Philip also was thinking of Anna. Through the pages of his stupid novel,
as though they had been of glass, he saw her as she had last appeared to
him on the platform of the Moscow station. She had been wearing a little
round black fur hat and a long black fur coat, her cheeks were pale, her
eyes mocking, but somewhere, as though in spite of herself, there had
been tenderness. She had laughed at him, but she had, for only a moment
perhaps, wished that he were not going. It was that tenderness that held
him now. The evening, through which he was now passing, had been
terrible—one of the worst that he had ever spent—and he had wondered
whether he really would be able to discipline himself to that course on
which he had determined, to marry Katherine under the Trenchard shadow,
to deliver himself to Mrs. Trenchard, even as the lobster is delivered
to the cook. And so, with this desperation, had come, with increasing
force, that memory of Anna’s tenderness.
He did not want to live with her again, to renew that old life—his love
for Katherine had, most truly, blotted out all the fire and colour of
that earlier passion, but he wanted—yes, he wanted most passionately,
to save his own soul.
Public-domain text, read in full here on John Shaqi.
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