Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
She had vanished across the lawn, leaving him standing there. Behind all
his perplexity and a certain shame at his inaction, a fire of exultation
inflamed him, making him heedless of the rain or the low muttering
thunder far away. She loved him! She was freeing him! His glory in her
strength, her courage, flew like a burning arrow to his heart, killing
the old man in him, striking him to the ground, that old lumbering body
giving way before a new creature to whom the whole world was a plain of
victory. He stood there trembling with his love for her....
Then he realised that, whatever he did, there was no time to be lost.
And after all what was he to do? Did he enter and alarm the family, tell
them that Katherine was flying to London, what would he gain but her
scorn? How much would he lose to save nothing? Even as he argued with
himself some stronger power was dragging him to the house. He was in his
room; he had his coat and hat from the hall; he saw no one; he was in
the dark garden again, stepping softly through the wicket-gate on to the
high road—Then the wind of the approaching storm met him with a scurry
of rain that slashed his face. He did not know that now, for the first
moment since his leaving Russia, Anna was less to him than nothing. He
did not know that he was leaving behind him in that dark rain-swept
garden an indignant, a defeated ghost....
* * * * *
Meanwhile Katherine had gone, rapidly, without pause, to her bedroom.
She was conscious of nothing until she reached it, and then she stood in
the middle of the floor, struck by a sudden, poignant agony of reproach
that took, for the moment, all life from her. Her knees were trembling,
her heart pounding in her breast, her eyes veiled by some mist that yet
allowed her to see with a fiery clarity every detail of the room. They
rose and besieged her, the chairs, the photographs, the carpet, the bed,
the wash-hand-stand, the pictures, the window with the old, old view of
the wall, the church-tower, the crooked apple-tree clustered in a
corner, the bed of roses, the flash of the nook beyond the lawn. She
covered her eyes with her hand. Everything was still there, crying to
her “Don’t leave us! Is our old devotion nothing, our faithful service?
Are you, whom we have trusted, false like the rest?”
She swayed then; tears that would never fall burnt her eyes. The first
rain lashed her window, and from the trees around the church some flurry
of rooks rose, protesting against the coming storm. She drove it all
down with a strong hand. She _would_ not listen....
Then, as she found her coat and hat, a figure rose before her, the one
figure that, just then, could most easily defeat her. Her Mother she
_would_ not see, Millie, Henry, the Aunts could not then touch her. It
was her Father.
Public-domain text, read in full here on John Shaqi.
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