From what I saw at the Museum, I see no reason to doubt that the ancients were as excellent in painting as in sculpture; there are some very exquisite paintings taken from Pompeii. Then we are not to believe that the best have been found, or that a provincial town contained the finest specimens of the art. Painted on walls, they appear deficient in light and shade, but the drawing and expression, and sometimes the colouring (allowing for spoiling), are very good. There are some Cupids playing at games, and driving chariots, very like the Julio Romanos in the Lanti Villa at Rome, which indeed were borrowed from the ancient frescoes discovered in the Baths of Titus. The bronzes taken out of Herculaneum and Pompeii are very interesting, because they display the whole domestic economy of the ancients, and their excellent taste in furniture, sacrificial instruments, &c., but there is nothing particularly curious in the fact of their pots and pans being like our pots and pans, for if they were to boil and stew they could not well have performed those operations with a different kind of utensils. However, all the people marvel at them; they seem to think the Romans must have been beings of a different organisation, and that everything that is not dissimilar is strange. What is really curious is a surgical instrument which was lately found, exactly similar to one invented thirty years ago in France. The lava would not touch bronze; the iron was always encrusted and spoilt, but the bronze things all look like new. May 2nd, 1830 {p.347} Went to the Lake of Agnano and the Grotto del Cane; very pretty lake, evidently the crater of a volcano; saw the dog perform; a sight neither interesting nor cruel; the dog did not mind it a bit, and the old woman must make a fortune, for she had eight carlins for it. The grotto is very hot and steaming; a torch goes out held near the ground, and when I put my face down the steam from the earth went up my nose like salts. Virgil's Tomb, which is very picturesque, and from whence the common view of Naples is taken; there has been plenty of discussion whether it really is Virgil's tomb or not. Forsyth seems to doubt it, with one of his off-hand flings at the authority for its being so, a sort of 'Who the Devil, I humbly beg to know, is Donatus?' but there is tradition in its favour, the fact of Virgil having been buried here or hereabouts, and the honour being claimed by no other spot. When there is probability it is unwise to be so very sceptical: take away names, and what are the places themselves? Here not much, at Rome nothing. [Page Head: RUINS ABOUT NAPLES] Thursday. {p.348} Went a long and most beautiful ride up to the Camaldoli, from which the view extends over sea and land to an immense distance in every direction. Thus was this place A happy rural seat of various views.