The tendency of the age is to peep behind the scenes. The world is growing old, and human nature is nearly worn through; we are beginning to see the bare bones of it. But a strange survival of youthfulness is that remarkable fascination of the unseen--the desire to get behind the scenes and see the powder for ourselves. If a man makes his livelihood by lifting horses and other heavy objects from the earth, we immediately wish to know details of his private life, and an obliging journalist interviews him. If another write a book, we immediately wish to know how he does it, where, when, and why. We also like to see his portrait on the fly-leaf--or HE likes to see it there. Eve Challoner was lamentably behind the spirit of the age in that she did not know how she wrote a series of articles destined to attain renown. But as she never went out to meet the interviewer, he never came to her. She fell into a habit of going out for long walks by herself, and in the course of these peregrinations she naturally acquired the custom of thinking about her writing. During these long walks Captain Bontnor remained at home alone, or joined a knot of fellow-mariners on the green in front of the reading-room. When Eve came home with her mind full of matter to be set down on paper he discreetly went to keep his watch on deck--backwards and forwards on the pavement in front of the window. At each turn the old sailor paused to cast his eyes over the whole horizon, after the manner of mariners, as if he were steering Somarsh across the North Sea. Thus uncle and niece glided imperceptibly into that mode of life which is called humdrum, and which some wise people consider the best mode of getting through existence. Sketch number two was written, rewritten, liked, hated, and finally sent to John Craik, with a letter explaining that the writer lived in Suffolk, and could not for the moment make it convenient to go to London. John Craik was a busy man. He made no answer, and in a few days the proof of sketch number one arrived, with a little printed notice of instructions as to correcting and returning. Of all fleeting glamours that of the proof-sheet is assuredly lightest on the wing, and Eve duly hated her own works in print, as we all do hate our first triumphs. Afterwards we get resigned--much as we grow resigned to the face we see in the looking-glass. At this time Captain Bontnor conceived the idea that it was incumbent upon him to take up seriously, though late in life, the higher walks of literature. "Now," he said to Eve one evening, when the first proof had been almost wept over, "now, dearie, what author would you recommend to a man who has a natural likin' for reading, but owing to the circumstances of his life has had no opportunity of cultivatin' his taste?" "Well, uncle, a good deal would depend upon his inclination--whether he liked poetry or fiction, or serious reading."