But she was her usual prim, precise, close-lipped self when in her
dress of black satin, a heavy gold chain round her neck, her faded hair
crowned with a tasteful lace cap, and carrying a bunch of highly
polished keys, she proceeded to show the little party over what might
be termed the state apartments of the old mansion, not one of which had
been entered by Sir Gilbert since his second wife’s death. From room to
room they went in leisurely fashion—the large drawing-room, the small
ditto, “my lady’s boudoir,” the state dining-room, and so on, taking
each in turn; and then upstairs, where a couple of the “best bedrooms”
invited inspection—each and all being denuded of carpets and curtains,
and of everything except its own special suite of furniture. Still, no
great exercise of the imagination was needed to picture what those
spacious and stately apartments must at one time have looked like, nor
what they might very easily be made to look like again. Last of all
they came to the picture-gallery, where the housekeeper, with an
elaborate courtesy and a thin acid smile, took her leave.
“What a rummy old card!” was Luigi’s outspoken comment almost before
her back was turned.
“Lewis, how can you speak of her in that way?” exclaimed Giovanna. “To
me she has something of the air of a broken-down duchess.”
“As if you had ever seen a broken-down duchess, mother!” retorted the
young man flippantly.
“Mrs. Burton is a lady by birth—at least, so she gives everyone to
understand,” remarked Everard drily. “And now, Mr. Clare, here we are
among the painted effigies of your ancestors. I have already made the
acquaintance of most of them, as far as it is possible for a man still
in the flesh to do so. Would you like me to introduce you to any of
them?”
“N—no, I think not. Fact is, I don’t care a rap about the whole boiling
of ’em.”
“Idiot!” hissed Giovanna in his ear. Then turning to Everard with a
smile, she said:
“I am afraid my son is falling into an absurd habit—sadly too common
among the young men of to-day—of depreciating things which they really
understand and care about, although they won’t admit it. One day I must
show you some of Lewis’s drawings and water-colours. He has done
nothing in oils as yet, I believe. I fancy they will rather surprise
you.”
“What rubbish you talk, mother!” exclaimed Luigi.
“By the way,” continued Mrs. Clare without heeding him, “if among these
portraits there is one of my son’s namesake, the Colonel Lewis Clare
who was killed in battle, I should certainly like to have it pointed
out to me.”
Luigi yawned openly.
“I am sorry not to be able to gratify your wish,” responded Lisle. “No
portrait of Colonel Clare is known to be in existence.”
From the gallery they made their way by a side door into the grounds,
where Shotover, the gardener, was awaiting them.
Public-domain text, read in full here on John Shaqi.
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