For the last few minutes, the sound of music had reached them from the
drawing-room, but now came a burst of song, so clear, so sweet, so
penetrating, that they both listened, spell-bound. Not a word passed
between them till the song had come to an end. Then Sir Gilbert said:
“I have not enjoyed anything so much for a long time. Miss Thursby is
not only possessed of an exquisite organ, but she has been taught how
to use it to the best advantage. She sings with taste, _brio_ and
expression. In her, Louisa, you have evidently secured a treasure.”
“She’s a dear, good girl—which is far better than having an exquisite
organ, as you term it—and if she were my own daughter could scarcely
love her more than I do.”
“The sun has set, and the evening is growing chilly; suppose we go
indoors. Miss Thursby must sing to us again.”
Miss Thursby was only too pleased to find that her song had afforded
Sir Gilbert so much pleasure, and, at his request, she sang again and
again, Luigi standing by her meanwhile and turning over her music. A
spell was upon him, under the influence of which he felt as if he
scarcely knew himself. Emotions and feelings were at work within him to
which he had heretofore been a stranger. He caught flying gleams of
something higher and better than existence had yet revealed to him. He
thought of “Miss J.” and scorned himself for his fatuity.
Outside on the terrace it was grey dusk. The long windows were still
wide open. A single lamp had been lighted in the drawing-room, which
shone on the two figures at the piano. In the semi-obscurity which
shrouded the rest of the room, sat Sir Gilbert and Lady Pell, dim
figures faintly outlined. Miss Thursby, at Sir Gilbert’s request, was
singing “Robin Adair.” She had just begun the second verse when all in
the room were startled by three or four piercing shrieks following
quickly on each other, and evidently proceeding from someone on the
terrace. Ethel stopped singing on the moment and sprang to her feet, as
did Lady Pell. Sir Gilbert, with surprising agility for a man of his
years, made a dash for the open window, followed more leisurely by
Luigi. But scarcely had the Baronet set foot on the terrace before a
female figure almost literally stumbled into his arms. So taken aback
was he that he could only splutter out: “What! what! Who are you?
What’s amiss?”
At the sound of his voice the girl—who was none other than Bessie
Ogden, the under-housemaid—started back as if she had been shot, and
although she was shaking in every limb and the pallor of her face was
discernible through the dusk, she contrived to bob a little curtsey.
“Oh, sir,” she said, “I humbly beg your pardon. I had no idea it was
you I run against, but I was so frightened that I quite lost my head.”
“But what was it that frightened you?” demanded Sir Gilbert, who had
recognised the girl, a little impatiently.
Public-domain text, read in full here on John Shaqi.
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