The Grey Woman and other TalesGaskell, Elizabeth Cleghorn
General
The Grey Woman and other Tales
Gaskell, Elizabeth Cleghorn
England -- Social life and customs -- 19th century -- Fiction; Short stories
Her idea was this: her mother came from the east of England, where, as
perhaps you know, they have the pretty custom of sending presents on
St. Valentine’s day, with the donor’s name unknown, and, of course, the
mystery constitutes half the enjoyment. The fourteenth of February was
Libbie’s birthday too, and many a year, in the happy days of old, had
her mother delighted to surprise her with some little gift, of which
she more than half-guessed the giver, although each Valentine’s day the
manner of its arrival was varied. Since then the fourteenth of February
had been the dreariest of all the year, because the most haunted by
memory of departed happiness. But now, this year, if she could not have
the old gladness of heart herself, she would try and brighten the life
of another. She would save, and she would screw, but she would buy a
canary and a cage for that poor little laddie opposite, who wore out
his monotonous life with so few pleasures, and so much pain.
I doubt I may not tell you here of the anxieties and the fears, of
the hopes and the self-sacrifices—all, perhaps small in the tangible
effect as the widow’s mite, yet not the less marked by the viewless
angels who go about continually among us—which varied Libbie’s life
before she accomplished her purpose. It is enough to say it was
accomplished. The very day before the fourteenth she found time to go
with her half-guinea to a barber’s who lived near Albemarle Street, and
who was famous for his stock of singing-birds. There are enthusiasts
about all sorts of things, both good and bad, and many of the weavers
in Manchester know and care more about birds than any one would easily
credit. Stubborn, silent, reserved men on many things, you have only to
touch on the subject of birds to light up their faces with brightness.
They will tell you who won the prizes at the last canary show, where
the prize birds may be seen, and give you all the details of those
funny, but pretty and interesting mimicries of great people’s cattle
shows. Among these amateurs, Emanuel Morris the barber was an oracle.
He took Libbie into his little back room, used for private shaving of
modest men, who did not care to be exhibited in the front shop decked
out in the full glories of lather; and which was hung round with birds
in rude wicker cages, with the exception of those who had won prizes,
and were consequently honoured with gilt-wire prisons. The longer and
thinner the body of the bird was, the more admiration it received, as
far as external beauty went; and when, in addition to this, the colour
was deep and clear, and its notes strong and varied, the more did
Emanuel dwell upon its perfections. But these were all prize birds;
and, on inquiry, Libbie heard, with some little sinking at heart, that
their price ran from one to two guineas.
“I’m not over-particular as to shape and colour,” said she, “I should
like a good singer, that’s all!”
Public-domain text, read in full here on John Shaqi.
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