The Grey Woman and other TalesGaskell, Elizabeth Cleghorn
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The Grey Woman and other Tales
Gaskell, Elizabeth Cleghorn
England -- Social life and customs -- 19th century -- Fiction; Short stories
“And I mun go washing, just as if nothing had happened,” sighed forth
Mrs. Hall, “and I mun come home at night, and find his place empty,
and all still where I used to be sure of hearing his voice ere ever
I got up the stair: no one will ever call me mother again.” She fell
crying pitifully, and Libbie could not speak for her own emotion for
some time. But during this silence she put the keystone in the arch of
thoughts she had been building up for many days; and when Margaret was
again calm in her sorrow, Libbie said, “Mrs. Hall, I should like—would
you like me to come for to live here altogether?”
Margaret Hall looked up with a sudden light in her countenance, which
encouraged Libbie to go on.
“I could sleep with you, and pay half, you know; and we should be
together in the evenings; and her as was home first would watch for the
other, and” (dropping her voice) “we could talk of him at nights, you
know.”
She was going on, but Mrs. Hall interrupted her.
“Oh, Libbie Marsh! and can you really think of coming to live wi’ me. I
should like it above—but no! it must not be; you’ve no notion on what
a creature I am, at times; more like a mad one when I’m in a rage,
and I cannot keep it down. I seem to get out of bed wrong side in the
morning, and I must have my passion out with the first person I meet.
Why, Libbie,” said she, with a doleful look of agony on her face, “I
even used to fly out on him, poor sick lad as he was, and you may judge
how little you can keep it down frae that. No, you must not come. I
must live alone now,” sinking her voice into the low tones of despair.
But Libbie’s resolution was brave and strong. “I’m not afraid,” said
she, smiling. “I know you better than you know yourself, Mrs. Hall.
I’ve seen you try of late to keep it down, when you’ve been boiling
over, and I think you’ll go on a-doing so. And at any rate, when you’ve
had your fit out, you’re very kind, and I can forget if you’ve been a
bit put out. But I’ll try not to put you out. Do let me come: I think
_he_ would like us to keep together. I’ll do my very best to make you
comfortable.”
“It’s me! it’s me as will be making your life miserable with my temper;
or else, God knows, how my heart clings to you. You and me is folk
alone in the world, for we both loved one who is dead, and who had
none else to love him. If you will live with me, Libbie, I’ll try as I
never did afore to be gentle and quiet-tempered. Oh! will you try me,
Libbie Marsh?” So out of the little grave there sprang a hope and a
resolution, which made life an object to each of the two.
When Elizabeth Marsh returned home the next evening from her day’s
labours, Anne (Dixon no longer) crossed over, all in her bridal finery,
to endeavour to induce her to join the dance going on in her father’s
house.
Public-domain text, read in full here on John Shaqi.
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