The Grey Woman and other TalesGaskell, Elizabeth Cleghorn
General
The Grey Woman and other Tales
Gaskell, Elizabeth Cleghorn
England -- Social life and customs -- 19th century -- Fiction; Short stories
“Yes: the painter did not do it justice. It was most lovely, and gave
him such a distinguished air, quite different from the common herd.
Stay, I will show you the exact colour, if you will come near this
flambeau!” And going near the light, she took off a bracelet of hair,
with a magnificent clasp of pearls. It was peculiar, certainly. I did
not know what to say. “His precious lovely beard!” said she. “And the
pearls go so well with the delicate blue!”
Her husband, who had come up to us, and waited till her eye fell upon
him before venturing to speak, now said, “It is strange Monsieur Ogre
is not yet arrived!”
“Not at all strange,” said she, tartly. “He was always very stupid,
and constantly falls into mistakes, in which he comes worse off; and
it is very well he does, for he is a credulous and cowardly fellow.
Not at all strange! If you will”—turning to her husband, so that I
hardly heard her words, until I caught—“Then everybody would have their
rights, and we should have no more trouble. Is it not, monsieur?”
addressing me.
“If I were in England, I should imagine madame was speaking of the
reform bill, or the millennium,—but I am in ignorance.”
And just as I spoke, the great folding-doors were thrown open wide, and
every one started to their feet to greet a little old lady, leaning on
a thin black wand—and—
“Madame la Féemarraine,” was announced by a chorus of sweet shrill
voices.
And in a moment I was lying in the grass close by a hollow oak-tree,
with the slanting glory of the dawning day shining full in my face, and
thousands of little birds and delicate insects piping and warbling out
their welcome to the ruddy splendour.
SIX WEEKS AT HEPPENHEIM.
Public-domain text, read in full here on John Shaqi.
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