The Grey Woman and other TalesGaskell, Elizabeth Cleghorn
General
The Grey Woman and other Tales
Gaskell, Elizabeth Cleghorn
England -- Social life and customs -- 19th century -- Fiction; Short stories
I had turned to look up the valley. Three or four hundred yards off,
in the higher vineyard, walked the dignified pastor, and his homely,
decorous wife. Behind came the Fräulein Anna, in her short-sleeved
Sunday gown, daintily holding a parasol over her luxuriant brown
hair. Close behind her came Herr Müller, stopping now to speak to his
men,—again, to cull out a bunch of grapes to tie on to the Fräulein’s
stick; and by my feet sate the proud serving-maid in her country dress,
waiting for my answer, with serious, up-turned eyes, and sad, composed
face.
“No, I am much obliged to you, Thekla; and if I did not feel so strong
I would have thankfully taken your arm. But I only wanted to leave a
message for the master, just to say that I have gone home.”
“Lina will give it to the father when he comes down,” said Thekla.
I went slowly down into the garden. The great labour of the day was
over, and the younger part of the population had returned to the
village, and were preparing the fireworks and pistol-shootings for the
evening. Already one or two of those well-known German carts (in the
shape of a V) were standing near the vineyard gates, the patient oxen
meekly waiting while basketful after basketful of grapes were being
emptied into the leaf-lined receptacle.
As I sat down in my easy-chair close to the open window through which I
had entered, I could see the men and women on the hill-side drawing to
a centre, and all stand round the pastor, bareheaded, for a minute or
so. I guessed that some words of holy thanksgiving were being said, and
I wished that I had stayed to hear them, and mark my especial gratitude
for having been spared to see that day. Then I heard the distant
voices, the deep tones of the men, the shriller pipes of women and
children, join in the German harvest-hymn, which is generally sung on
such occasions;[1] then silence, while I concluded that a blessing was
spoken by the pastor, with outstretched arms; and then they once more
dispersed, some to the village, some to finish their labours for the
day among the vines. I saw Thekla coming through the garden with Max in
her arms, and Lina clinging to her woollen skirts. Thekla made for my
open window; it was rather a shorter passage into the house than round
by the door. “I may come through, may I not?” she asked, softly. “I
fear Max is not well; I cannot understand his look, and he wakened up
so strange!” She paused to let me see the child’s face; it was flushed
almost to a crimson look of heat, and his breathing was laboured and
uneasy, his eyes half-open and filmy.
“Something is wrong, I am sure,” said I. “I don’t know anything about
children, but he is not in the least like himself.”
Public-domain text, read in full here on John Shaqi.
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