England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Young women -- Fiction
"Worse," replied Rupert impressively. "You see, in nine cases out of
ten a doctor doesn't come in for family secrets as a lawyer does. That
is why I shall feel it so tantalising to get hold of materials for such
_lovely_ plots."
I could scarcely help smiling at the boyish emphasis he laid on the
adjective.
"Well," I replied, "you must do your best. Can't you take a bit here
and a bit there, and weave them together in such a way that nobody could
possibly recognise the individuals or circumstances that had suggested
the story?"
"Yes," said Rupert doubtfully. "I suppose that is the sort of thing one
has to do, though my instinct would rather go with idealising, so to
say, or dramatising some history in its entirety." He stopped, and
seemed to be thinking, and I knew by intuition that the subject of his
meditations was the Grim House, and the tragedy or tragedies connected
with it. But I felt that it would be unjustifiable to lead him on to
say more, and after all, I had already found out as much as I had really
expected. Clarence Payne had been at Millflowers again, and fresh or
additional trouble was brewing there--to himself alone would it be right
to apply for details as to this. And gradually my vague plans as to how
to set to work concentrated themselves into simplicity. I determined to
ask Clarence, without beating about the bush, if or what he could tell
me more. And then I must judge for myself--possibly even appeal to him
himself to decide for me, if, on my side, I had any right to reveal or
even hint at any part of the secret having come into my possession as it
had done?
For the moment, courtesy and good-nature demanded that I should put my
own preoccupations on one side, and give my best attention to Rupert and
his literary ambitions, and I think I succeeded in gratifying him. I
dare say it was better for myself not to go on planning and considering
over this matter, which seemed to have seized my thoughts and
imaginations in an almost inexplicable way from the very first mention
of it by Isabel Wynyard at Weissbad.
So the morning passed pleasantly enough. There was nothing in any of
Rupert's stories or sketches to recall the mystery I had come to feel so
strangely connected with; I imagine that he kept off any approach to
this special subject for his skill on purpose. And between us we worked
up one or two slighter things, _not_, as the event proved,
unsuccessfully. Rupert's first triumph in the literary world was the
acceptance by one of the then few serials of good standing of a story we
gave our best attention to that morning. Poor boy! how grateful he was,
and how delighted when he was able to write to tell me of this, some
weeks later!
The day turned out beautifully fine and mild, which I was glad of. For
if it had been rainy, Mrs Payne's project for the afternoon would
probably have been given up, or at least would scarcely have helped my
private arrangement in the direction I was hoping for.
Public-domain text, read in full here on John Shaqi.
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