The Grotesque in Church ArtWildridge, T. Tindall (Thomas Tindall)
History
The Grotesque in Church Art
Wildridge, T. Tindall (Thomas Tindall)
Christian art and symbolism; Church decoration and ornament; Grotesque
They meet in the lists. Reynard kicks up the dust to blind the Wolf, draws
his wet tail across his eyes, and at length tears an eye out. He is,
however, seized by the Wolf's strong jaw, and is about to be finished off
when he takes advantage of a word of parley to seize the wolf in a tender
part with his hand, and the fight recommences, ending in the total
overthrow of Isengrin. The King orders the fray to be stayed and the
Wolf's life spared. The Wolf is carried off. All fly to congratulate the
victor,
"All gazed in his face with fawning eyes,
And loaded him with flatteries."
The King makes him the Lord Chancellor and takes him to his close esteem.
The tale winds up:
"To wisdom now let each one turn,
Avoid the base and virtue learn;
This is the end of Reynard's story,
May God assist us to His glory."
[Illustration: THE FOX RETURNING FROM HUNTING, MANCHESTER.]
The above is the gist of the matter dealing with the Fox in letters; from
these lively images we will turn to the more wooden achievements of the
carvers. The general fact that the Fox is a marauder specially fond of the
flesh of that bird of long descent, the goose, but also partial to that of
other birds, is frequently illustrated by church carvings. In the churches
at the following places he is carved as having seized his prey:--Beverley
(Minster), Boston, Fairford, Faversham, Gloucester, Hereford, Norwich,
Oxford (Magdalen), Peterborough, Ripon, Wellingborough, Winchester, and
Windsor (St. George's Chapel). At the last-named he is also shewn as
preying upon a hen. At Beverley (Minster) Ely, Manchester, and Thanet (St.
Mary's Minster) the picture of the abduction of the goose is heightened in
interest by his pursuit by a woman armed with a distaff. Doubtless there
are others; the object throughout is to give examples, not an exhaustive
list.
A somewhat unusual subject is one in Manchester Cathedral, in which the
Fox is returning from hunting. A carving where the Fox is used to point a
moral is another, in St. George's Chapel, Windsor, in which three monks,
conveyed in a wheel-barrow into Hell's Mouth, are accompanied by a Fox
with a goose in his mouth. Probably the idea here broadly expressed is
intended to be quietly suggested by some of the above.
Next in frequency is the more definite satire of the Fox preaching to
Geese. We find it at Beverley (both the Minster and St. Mary's), Boston,
Bristol, Cartmel, Ely, Etchingham, Nantwich, Ripon, Stowlangcroft, and
Windsor (St. George's Chapel). In the last he has a goose in his cowl.
Public-domain text, read in full here on John Shaqi.
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