The Grotesque in Church ArtWildridge, T. Tindall (Thomas Tindall)
History
The Grotesque in Church Art
Wildridge, T. Tindall (Thomas Tindall)
Christian art and symbolism; Church decoration and ornament; Grotesque
In Beverley Minster the Preaching Fox is in a square panelled pulpit on
four legs; before him are seven geese, one of whom slumbers peacefully. He
wears a gown and cowl, has a rosary in his right hand, and appears to be
performing his part with some animation. Behind the pulpit stands an ape
with a goose hung on a stick, while another fox--to give point to the
lesson--is slinking off with a goose slung over his back. At St. Mary's,
Beverley, the various carvings have a decidedly manuscript appearance. The
one of the Preaching Fox has labels, upon which, in some unknown original,
may have been inscribed texts or other matter. Here the Fox wears only his
"scapulaire," and has his right hand raised in correct exhortative manner;
his pulpit is of stone, and is early. Behind stand two persons, perhaps
male and female, whose religious dress would lead us to suppose them to
represent the class to whose teaching a fox-like character is to be
attributed. At the front are seated two apes, also in scapularies, or
hoods, who, as well as the Fox, may be here to shew the real character of
the supposed sanctified.
[Illustration: THE RULE AND THE ROAST CONTRASTED, ST. MARY'S, BEVERLEY.]
It will have been noticed how frequently the carvings evade explanation;
all these satires on the clergy may mean either that the system was bad,
or that there was much abuse of it. A remarkable instance of this is in
another misericorde in St. Mary's, Beverley. Here we have the Benedictine
with mild and serene countenance, without a sign of sin, and bearing the
scroll of truth and simplicity of life--call it the rule of his order. Yet
how do many of his followers act? With greed for the temporalities, they
aspire to the pastoral crook, and devour their flocks with such rapacity
as to threaten the up-rooting of the whole order.
[Illustration: THE PREACHING FOX, ST. MARY'S, BEVERLEY.]
Such might be one rendering; yet the placid cleric may be simply
introduced to shew the outward appearance of the ravening ones.
It has been a favourite explanation of these anti-cleric carvings to say
that they were due to the jealousy which existed between the regular
orders and the preaching friars. But carvings such as this last are
sufficient to prove the explanation erroneous; preaching friars carried no
croziers.
Yet another instance from St. Mary's shews us two foxes in scapularies
reading from a book placed on an eagle-lectern.
[Illustration: FOXES AT THE LECTERN, ST. MARY'S, BEVERLEY.]
The bird--lectern or not--has round its head a kind of aureola or glory;
it is probably an eagle, but who shall say it is not a dove? The
religiously-garbed foxes are alone unmistakable.
At Boston we have a mitred Fox, enthroned in the episcopal seat in full
canonicals, clutching at a cock which stands near, while another bird is
at the side. Close by the throne, another fox, in a cowl only, is reading
from a book.
Public-domain text, read in full here on John Shaqi.
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