English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism; English drama -- To 1500 -- History and criticism
_The Spanish Tragedy_ continues the story of _Jeronimo_. Balthazar (the
spelling has changed) is brought back to Spain, the joint captive of
Horatio and Lorenzo: to the former, however, is allotted the ransom,
while to the latter falls the privilege of guarding the prisoner in
honourable captivity. The Portuguese prince now falls in love with
Bell'-Imperia, and has her brother's full consent to the match. But that
lady has already transferred her affections to young Horatio. Lorenzo
encourages Balthazar to solve the difficulty by the young man's death.
While Bell'-Imperia and Horatio are making love together by night in a
garden-bower, Lorenzo, Balthazar and two servants (Serberine and
Pedringano) surprise them and hang Horatio to a tree beside the
entrance. They then decamp with the lady, whom they forthwith shut up
closely in her room at home. Old Hieronimo (formerly Jeronimo), alarmed
by the outcry, rushes into the garden, closely followed by his wife
Isabella. The body is instantly cut down, but life is extinct.--The rest
of the play, from the beginning of the third act, is concerned with
Hieronimo's revenge. It is a terrible story. His first information as to
the names of the murderers reaches him in a message, written in blood,
from Bell'-Imperia. This, however, he fears as a trap, and attempts to
corroborate it from the girl's own lips. Unfortunately he only succeeds
in awakening the suspicions of Lorenzo, who, to make the secret surer,
bribes Pedringano to murder Serberine, at the same time arranging for
watchmen to arrest Pedringano. Balthazar is drawn into the matter that
he may press forward the execution of Serberine's murderer, while
Lorenzo poses to the wretch as his friend with promises of pardon.
Pedringano consequently is beguiled to death. Lorenzo is now at ease,
and enlarges his sister's liberty. The suggestion of a political
marriage between her and Balthazar is warmly supported by the king.
Alone among the courtiers Hieronimo is plunged in unabated grief,
uncertain where to seek revenge. By good fortune Pedringano, before his
trial, wrote a confession, which the hangman finds and delivers to the
Marshal. This corroborates the statement of Bell'-Imperia. Yet it brings
small comfort, as it seems impossible to strike so high as at Lorenzo
and Balthazar. In his despair Hieronimo contemplates suicide, until he
remembers that the act would leave the murderers unpunished. He cries
aloud before the king for justice, digs frantically into the earth with
his dagger in mad excess of misery, then hurries away without telling
his wrong. He haunts his garden at night-time; and in the silence of
that darkness at last hits upon a scheme: under the appearance of
quietness and simplicity he will return to Lorenzo's society, awaiting
his time to strike. As if to soothe him with the thought that his griefs
are shared by others, chance brings before him one, Bazulto, an old man
also bereaved of his son by murder.
Public-domain text, read in full here on John Shaqi.
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