English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism; English drama -- To 1500 -- History and criticism
The weakness of _Doctor Faustus_ appears exactly where _Tamburlaine_ is
strongest. In spite of his prodigious boasting and his callous
indifference to suffering, Tamburlaine appeals to us most powerfully as
the right titanic figure for a world-conqueror; his soul is ever above
his body, looking beyond the victory of to-day to the greater conquests
of the future: there is nothing sordid or commonplace about him.
Unfortunately, though it is given to few of us to be conquerors, it is
possible for all of us to gratify our senses if we will. Tamburlaine
gathers golden fruit, Faustus plucks berries from the same bush as
ourselves: only, he must have them from the topmost boughs. The
following passage has probably never been surpassed in its magic
idealization of that which is essentially base and carnal:
[_Enter_ HELEN, _passing over the stage between two_ CUPIDS.]
_Faustus._ Was this the face that launched a thousand ships
And burnt the topless towers of Ilium?--
Sweet Helen, make me immortal with a kiss.--[_Kisses her._]
Her lips suck forth my soul: see, where it flies!--
Come, Helen, come, give me my soul again.
Here will I dwell, for heaven is in these lips,
And all is dross that is not Helena.
I will be Paris, and for love of thee,
Instead of Troy, shall Wittenberg be sacked;
And I will combat with weak Menelaus,
And wear thy colours on my plumed crest;
Yea, I will wound Achilles in the heel,
And then return to Helen for a kiss.
O, thou art fairer than the evening air
Clad in the beauty of a thousand stars;
Brighter art thou than flaming Jupiter
When he appeared to hapless Semele;
More lovely than the monarch of the sky
In wanton Arethusa's azured arms;
And none but thou shalt be my paramour!
Public-domain text, read in full here on John Shaqi.
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