The Growth of the English House: A short history of its architectural development from 1100 to 1800Gotch, J. Alfred (John Alfred)
History
The Growth of the English House: A short history of its architectural development from 1100 to 1800
Gotch, J. Alfred (John Alfred)
Architecture -- England; Architecture, Domestic
[Illustration: 92. Plan of Horham Hall, Essex.]
Horham Hall, in Essex, is a good example, moderate in size, of this
period. It was built in the early years of the sixteenth century by Sir
John Cutt, who died in 1520. The plan (Fig. 92) follows the ancient
lines, the great hall being in its traditional relationship to the rest
of the house. The old indifference to regularity is well illustrated
by the passage, treated as a kind of bay window, which leads from the
hall to the north wing. The windows in general have but one range of
lights, but in the bay of the hall and in the passage, the lingering
reluctance to adopt large windows is thrown away (Fig. 93), and we
get a foretaste of that vast array of lights which was presently to
become a distinguishing feature of domestic architecture. There is a
large fireplace in the hall and a contemporary louvre in its roof; a
somewhat curious combination, inasmuch as the louvre would be needless,
either for the escape of smoke or (in view of the large bay window) for
the admission of light.
[Illustration: 93. Horham Hall, Essex (early 16th cent.).]
[Illustration: 94. Kirtling Hall, Cambridgeshire.
The Gatehouse (early 16th cent.).]
There is a strange craving among dwellers in old houses to exaggerate
the antiquity of their dwellings. Imagination is fond of peopling with
monks halls which were built subsequently to the suppression of the
monastic orders, and probably with the wealth acquired in consequence
of that event. King John has been made to sleep upon a bed which was
constructed when King James was on the throne. A cusped window light
will carry its enthusiastic proprietor back two centuries earlier than
the facts warrant. But domestic work of a date earlier than Henry
VII. is not abundant, and it is probably within the mark to say that
nine-tenths of the Gothic stonework of ancient houses and ninety-nine
hundredths of the Gothic woodwork are attributable to the time of Henry
VII. and Henry VIII.
These new houses were evidently built for pleasure more than for
security, although defensive precautions were not entirely omitted.
They often occupied the site of an earlier house; but whether this were
the case or not, they were generally surrounded by a moat, crossed no
longer by a drawbridge, but by one of permanent character. Permanent by
comparison, that is to say, for even where moats still remain, bridges
of this date are rare; but as a rule the moats have been filled in and
the bridges removed, or in any case the moats have been so much filled
in as to give easy access to the front entrance.
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