Love stories; Man-woman relationships -- Fiction; Princeton University -- Fiction; Social classes -- Fiction
It was like his mother to express her letter with telegraphic bluntness
without, however, going to the expense of actually wiring. Where he had
expected her customary stiff gratitude for money sent he found a
scrawled announcement of his father's death, and her plans for the
funeral the following afternoon.
"Of course you won't come," she ended.
Yet it seemed to him that he should go, to arrange her future. This was
the moment to snap the last enslaving tie between the Mortons and
Oakmont. There was, of course, the chance of running into Sylvia, or
some visitor who might connect him with the little house. Suppose
Dalrymple, for example, should be staying with the Planters as he often
did? George shrugged his shoulders. Things were coming rather rapidly to
him. Besides, it was extremely unlikely that any one from the great
house would see the Morton ceremony. The instincts of those people
would be to avoid such sights.
V
About his return there was a compelling thrill. He drove from the
station in one of the cheap automobiles that had made his father
practically a pensioner of the Planters. With an incredulous
appreciation that he had once accepted its horizon as the boundary of
his life, he examined the familiar landscape and the scar made upon it
by the village. Curtly he refused to satisfy the driver's curiosity. He
had some business at the little house on the Planter estate.
There, through the nearly stripped trees, it showed, almost audibly
confessing its debt to the Planter carpenters, painters, and gardeners.
In a clouded light late fall flowers waved from masses of dead leaves.
Their gay colours gave them an appearance melancholy and apprehensive.
Here he was back at last, and he wasn't going in at the great gate.
He walked around the shuttered house and crossed the porch where his
father had liked to sit on warm evenings. He rapped at the door. Feet
shuffled inside. The door swayed open, and his mother stood on the
threshold. Most of the changes had come to him, but in her red eyes
sparkled a momentary and mournful importance. At first she didn't
recognize her son.
"What is it?"
George stooped and kissed her cheek.
"I'm sorry, Mother."
Instead of holding out her arms she drew away, staring with fascination,
a species of terror, at his straight figure, at his clothing, at his
face that wouldn't coarsen now. When she spoke her voice suggested a
placating of this stranger who was her son.
"I didn't think you'd come. I can't believe you're George--my Georgie."
Over her shoulders in the shadowed house he saw the inquisitive faces of
women. It was clear that for them such an arrival was more divertive
than the sharing of a sorrow that scarcely touched their hearts.
Public-domain text, read in full here on John Shaqi.
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