Autobiographical fiction; France -- Social life and customs -- Fiction
“Listen; you know, I promised you the necklace if you behaved nicely to
me, but the moment you treat me like this....”
“Ah! Well, that doesn’t surprise me in the least. You gave me your
promise; I ought to have known you’ld never keep it. You want the whole
world to know you’re made of money, but I’m not a money-grubber like
you. You can keep your blasted necklace; I know some one else who’ll
give it to me.”
“No one else can possibly give it to you; I’ve told Boucheron he’s to
keep it for me, and I have his promise not to let anyone else have it.”
“There you are, trying to blackmail me, you’ve arranged everything I
see. That’s what they mean by Marsantes, _Mater Semita_, it smells of
the race,” retorted Rachel, quoting an etymology which was founded on a
wild misinterpretation, for _Semita_ means “path” and not “Semite”, but
one which the Nationalists applied to Saint-Loup on account of the
Dreyfusard views for which, so far as that went, he was indebted to the
actress. She was less entitled than anyone to apply the word “Jew” to
Mme. de Marsantes, in whom the ethnologists of society could succeed in
finding no trace of Judaism apart from her connexion with the
Lévy-Mirepoix family. “But this isn’t the last of it, I can tell you. An
agreement like that isn’t binding. You have acted treacherously towards
me. Boucheron shall be told of it and he’ll be paid twice as much for
his necklace. You’ll hear from me before long; don’t you worry.”
Robert was in the right a hundred times over. But circumstances are
always so entangled that the man who is in the right a hundred times may
have been once in the wrong. And I could not help recalling that
unpleasant and yet quite innocent expression which he had used at
Balbec: “In that way I keep a hold over her.”
“You don’t understand what I mean about the necklace. I made no formal
promise: once you start doing everything you possibly can to make me
leave you, it’s only natural, surely, that I shouldn’t give it to you; I
fail to understand what treachery you can see in that, or what my
ulterior motive is supposed to be. You can’t seriously maintain that I
brag about my money, I’m always telling you that I’m only a poor devil
without a cent to my name. It’s foolish of you to take it in that way,
my dear. What possible interest can I have in hurting you? You know very
well that my one interest in life is yourself.”
“Oh, yes, yes, please go on,” she retorted ironically, with the sweeping
gesture of a barber wielding his razor. And turning to watch the dancer:
“Isn’t he too wonderful with his hands. A woman like me couldn’t do the
things he’s doing now.” She went closer to him and, pointing to Robert’s
furious face: “Look, he’s hurt,” she murmured, in the momentary elation
of a sadic impulse to cruelty totally out of keeping with her genuine
feelings of affection for Saint-Loup.
Public-domain text, read in full here on John Shaqi.
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