Autobiographical fiction; France -- Social life and customs -- Fiction
“Yes, didn’t you know that she performed in my house before the whole of
Paris, not that that’s anything for me to be proud of,” explained Mme.
de Guermantes with a laugh, glad nevertheless, since the actress was
under discussion, to let it be known that she herself had had the first
fruits of her foolishness. “Hallo, I suppose I ought to be going now,”
she added, without moving.
She had just seen her husband enter the room, and these words were an
allusion to the absurdity of their appearing to be paying a call
together, like a newly married couple, rather than to the often strained
relations that existed between her and the enormous fellow she had
married, who, despite his increasing years, still led the life of a gay
bachelor. Ranging over the considerable party that was gathered round
the tea-table the genial, cynical gaze—dazzled a little by the
brightness of the setting sun—of the little round pupils lodged in the
exact centre of his eyes, like the “bulls” which the excellent marksman
that he was could always hit with such perfect aim and precision, the
Duke came forward with a bewildered cautious slowness as though, alarmed
by so brilliant a gathering, he was afraid of treading on ladies’ skirts
and interrupting conversations. A permanent smile—suggesting a “Good
King of Yvetot”—slightly pompous, a half-open hand floating like a
shark’s fin by his side, which he allowed to be vaguely clasped by his
old friends and by the strangers who were introduced to him, enabled
him, without his having to make a single movement, or to interrupt his
genial, lazy, royal progress, to reward the assiduity of them all by
simply murmuring: “How do, my boy; how do, my dear friend; charmed,
Monsieur Bloch; how do, Argencourt;” and, on coming to myself, who was
the most highly favoured, when he had been told my name: “How do, my
young neighbour, how’s your father? What a splendid fellow he is!” He
made no great demonstration except to Mme. de Villeparisis, who gave him
good-day with a nod of her head, drawing one hand from a pocket of her
little apron.
Being formidably rich in a world where everyone was steadily growing
poorer, and having secured the permanent attachment to his person of the
idea of this enormous fortune, he displayed all the vanity of the great
nobleman reinforced by that of the man of means, the refinement and
breeding of the former just managing to control the latter’s
self-sufficiency. One could understand, moreover, that his success with
women, which made his wife so unhappy, was not due merely to his name
and fortune, for he was still extremely good looking, and his profile
retained the purity, the firmness of outline of a Greek god’s.
“Do you mean to tell me she performed in your house?” M. d’Argencourt
asked the Duchess.
Public-domain text, read in full here on John Shaqi.
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