Autobiographical fiction; France -- Social life and customs -- Fiction
“You perform your functions admirably,” said the latter, startled into
speech, and hoping also to win the sympathy of the crowd. At the same
time he cast a covert glance of connivance at those who had anticipated
him.
“Tell me, my dear aunt,” M. de Guermantes inquired of Mme. de
Villeparisis, “who was that rather good-looking man who was going out
just now as I came in? I must know him, because he gave me a sweeping
bow, but I couldn’t place him at all; you know I never can remember
names, it’s such a nuisance,” he added, in a tone of satisfaction.
“M. Legrandin.”
“Oh, but Oriane has a cousin whose mother, if I’m not mistaken, was a
Grandin. Yes, I remember quite well, she was a Grandin de l’Epervier.”
“No,” replied Mme. de Villeparisis, “no relation at all. These are plain
Grandins. Grandins of nothing at all. But they’ld be only too glad to be
Grandins of anything you chose to name. This one has a sister called
Mme. de Cambremer.”
“Why, Basin, you know quite well who’ my aunt means,” cried the Duchess
indignantly. “He’s the brother of that great graminivorous creature you
had the weird idea of sending to call on me the other day. She stayed a
solid hour; I thought I should go mad. But I began by thinking it was
she who was mad when I saw a person I didn’t know come browsing into the
room looking exactly like a cow.”
“Listen, Oriane; she asked me what afternoon you were at home; I
couldn’t very well be rude to her; and besides, you do exaggerate so,
she’s not in the least like a cow,” he added in a plaintive tone, though
not without a quick smiling glance at the audience.
He knew that his wife’s lively wit needed the stimulus of contradiction,
the contradiction of common sense which protests that one cannot (for
instance) mistake a woman seriously for a cow; by this process Mme. de
Guermantes, enlarging upon her original idea, had been inspired to
produce many of her most brilliant sayings. And the Duke in his innocent
fashion helped her, without seeming to do so, to bring off her effects
like, in a railway carriage, the unacknowledged partner of the
three-card player.
Public-domain text, read in full here on John Shaqi.
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