Autobiographical fiction; France -- Social life and customs -- Fiction
The old lady made the slight movement with her lips of a dying woman who
wants to open her mouth but whose eye can no longer recognise people.
Then she turned, overflowing with a restored vitality, to M.
d’Argencourt, while Bloch left the room, convinced that she must be
“soft” in the head. Full of curiosity and anxious to have more light
thrown upon so strange an incident, he came to see her again a few days
later. She received him in the most friendly fashion, because she was a
good-natured woman, because the librarian was not there, because she had
in mind the little play which Bloch was going to produce for her, and
finally because she had acted once and for all the little scene of the
indignant lady that she had wished to act, a scene that had been
universally admired and discussed the same evening in various
drawing-rooms, but in a version which had already ceased to bear any
resemblance to the truth.
“You were speaking just now of the _Seven Princesses_, Duchess; you know
(not that it’s anything to be proud of) that the author of that—what
shall I call it?—that production is a compatriot of mine,” said M.
d’Argencourt with a fine scorn blended with satisfaction at knowing more
than anyone else in the room about the author of a work which had been
under discussion. “Yes, he’s a Belgian, by nationality,” he went on.
“Indeed! No, we don’t accuse you of any responsibility for the _Seven
Princesses_. Fortunately for yourself and your compatriots you are not
like the author of that absurdity. I know several charming Belgians,
yourself, your King, who is inclined to be shy, but full of wit, my
Ligne cousins, and heaps of others, but you, I am thankful to say, do
not speak the same language as the author of the _Seven Princesses_.
Besides, if you want to know, it’s not worth talking about, because
really there is absolutely nothing in it. You know the sort of people
who are always trying to seem obscure, and even plan to make themselves
ridiculous to conceal the fact that they have not an idea in their
heads. If there was anything behind it all, I may tell you that I’m not
in the least afraid of a little daring,” she added in a serious tone,
“provided that there is some idea in it. I don’t know if you’ve seen
Borelli’s piece. Some people seem to have been shocked by it, but I must
say, even if they stone me through the streets for saying it,” she went
on, without stopping to think that she ran no very great risk of such a
punishment, “I found it immensely interesting. But the _Seven
Princesses_! It’s all very well, one of them having a fondness for my
nephew, I cannot carry family feeling quite....”
Public-domain text, read in full here on John Shaqi.
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