dyed by us at all, but God created that colour in the cloth when it came into contact with the red pigment; we believe that colour to have penetrated into the cloth, but they assert that this is not the case. They say that God generally acts in such a way, that, e.g., the black colour is not created unless the cloth is brought into contact with indigo; but this blackness, which God creates in the instant when the cloth touches the black pigment is of no duration, and another creation of blackness then takes place; they further say that after the blackness is gone, He does not create a red or green colour, but again a black colour. According to this principle, the knowledge which we have of certain things to-day, is not the same which we had of them yesterday; that knowledge is gone, and another like it has been created. They positively believe that this does take place, knowledge being an accident. In like manner it would follow that the soul, according to those who believe that it is an accident, is renewed each moment in every animated being, say a hundred thousand times; for, as you know, time is composed of time-atoms. In accordance with this principle they assert that when man is perceived to move a pen, it is not he who has really moved it; the motion produced in the pen is an accident which God has created in the pen; the apparent motion of the hand which moves the pen is likewise an accident which God has created in the moving hand; but the creative act of God is performed in such a manner that the motion of the hand and the motion of the pen follow each other closely; but the hand does not act, and is not the cause of the pen’s motion; for, as they say, an accident cannot pass from one thing to another. Some of the Mutakallemim accordingly contend that this white cloth, which is coloured when put into the vessel filled with indigo, has not been blackened by the indigo; for blackness being an attribute of indigo, does not pass from one object to another. There does not exist any thing to which an action could be ascribed; the real agens is God, and He has [in the foregoing instance] created the blackness in the substance of the cloth when it came into contact with the indigo, for this is the method adopted by Him. In short, most of the Mutakallemim believe that it must never be said that one thing is the cause of another; some of them who assumed causality were blamed for doing so. As regards, however, the acts of man their opinions are divided. Most of them, especially the sect of the Asha’ariyah, assume that when the pen is set in motion God has created four accidents, none of which is the cause of any of the rest, they are only related to each other as regards the time of their co-existence, and have no other relation to each other. The first accident is man’s will to move the pen, the second is man’s power to do so, the third is the bodily motion itself, i.e., the motion of the hand, and the fourth is the motion of the pen.