The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy FawkesSpink, Henry
History
The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy Fawkes
Spink, Henry
Gunpowder Plot, 1605; Monteagle, William Parker, Baron, 1574 or 1575-1622
For, from the very moment of Oldcorne’s becoming conscious that the Plot
as a plot had vanished into thin air by (1) personal, actual repentance;
by (2) imputed or constructive repentance; by (3) a personally heroic act:
had vanished like the morning mists before the beams of the rising sun,
Oldcorne would feel himself, so to speak, immediately to be endued with an
extraordinary power: with a power that would straightway cause him to grow
to a loftier stature than all his fellows: with a power that then would
enable him, as it were, to scale the heights, and, at length, to mount up
to the very top of what aforetime had been the baleful Plot, but which
Plot Oldcorne full well knew would be henceforward and for ever emptied
and defecated of and from all murderous, criminous, sacrilegious
quality.[166]
Hence was Oldcorne warranted, justified, and vindicated in viewing and
surveying “the fact of Mr. Catesbie’s” simply speculatively and purely in
the abstract.
Hence was Oldcorne warranted, justified, and vindicated in leaving
Humphrey Littleton _in abstracto_, after the latter had propounded to him
his dangerous question: of leaving the doubter with an answer sounding in
partial truth alone.
CHAPTER LXVI.
Now, this conclusion leads inevitably to the further conclusion that
Edward Oldcorne must have had latent within him, deep down within the
depths of his conscious being, a particular knowledge, _as distinct from a
general knowledge, a private knowledge as distinct from a public
knowledge_, not indeed of this Plot as a plot, but of the Plot _after_ it
had been, _when_ it had been, and _as_ it had been _first transmuted and
transformed, by the causes and processes hereinbefore mentioned:
transmuted and transformed into an instrument, sure and certain for the
temporal salvation of his fellow-men_.
Yea, _because_ Edward Oldcorne’s noblest mental faculty, his conscience,
gazing with eagle-eye, sun-filled, yet undazzled and undismayed, upon
absolute truth was able unshrinkingly and calmly to bear witness to the
other indivisible parts of his rational nature, that _his_ mind in
relation to that fell enterprise, which from first to last must have “made
the angels weep,” was a mind not only of passive innocence, but of active
rectitude, _therefore_ must he have felt himself to be not barely, but
abundantly _free_. Free, because he knew there was no mortal in this
world, and no being in the world to come, to condemn _him_ at the bar of
eternal Justice; nay, none rightly even to be so much as his accuser: free
to survey the baleful scheme purely speculatively: free, orally to express
the results of that survey, _either as to whole or part, in abstracto, in
the abstract merely; and this notwithstanding the risk of
misinterpretation from his questioner’s “want of thought,” or “want of
heart_.”
Public-domain text, read in full here on John Shaqi.
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