The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy FawkesSpink, Henry
History
The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy Fawkes
Spink, Henry
Gunpowder Plot, 1605; Monteagle, William Parker, Baron, 1574 or 1575-1622
Probably Shakespeare knew Grant personally, and not only Grant, but
Catesby, Percy, the Winters (Robert and Thomas Winter were likewise akin
to the Throckmortons), and Tresham. That the bard of Avon knew Lord
Mounteagle, the associate of his friend and patron the Earl of
Southampton, is even still more probable.
How is it that Shakespeare never in his writings sought to make political
capital (as the sinister phrase goes) out of the Gunpowder Plot? For
several reasons: first, his heart (if not his head) was with the ancient
faith he had learned in the old Warwickshire home; secondly, his large
humanity prompted him to sympathise with all that were oppressed. I hold
that in this studied silence, this dignified reserve of Shakespeare, we
may discern additional proof of the nobleness of the man, supposing that
he knew personally any of the plotters. He would not kick friends that
were down, when those friends were even traitors. He could not approve
their action——far from it. He might have condemned with justice, and with
the world’s applause. But upon himself a self-denying ordinance he laid,
tempting as it must have been to him to perform the contrary, especially
when we recollect the course then followed by his brother-poet——Jonson.
But Shakespeare would not “take sword in hand” with the pretence of
restoring “equality” between these wrong-doers and their country. He
deemed that the ends of justice——exact, strict Justice——were met in “the
hangman’s bloody hands”——“Macbeth,” 1606——and that sufficed for him.
Since writing the above note I find it stated in “_The Religion of
Shakespeare_,” by Henry Sebastian Bowden (Burns & Oates, 1899)——chiefly
from the writings of that great Elizabethan scholar, the late Richard
Simpson——that “among the chief actors in the so-called Gunpowder Plot were
Catesby; the two Bates; John Grant, of Norbrook, near Stratford; Thomas
Winter, Grant’s brother-in-law; all Shakespeare’s friends and benefactors”
(p. 103); so that my conjecture is, belike, warranted that the poet knew
Catesby, Winter, and Grant. Moreover, from the same work, it appears that
Shakespeare, through the Ardens and Throckmortons, was connected by family
marriages, not only with Catesby, the Winters, and Tresham, but distantly
with the Earl of Southampton himself, who was a relative of Lord
Mounteagle. Hence it is still more probable that Shakespeare knew
Mounteagle personally.
Public-domain text, read in full here on John Shaqi.
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