The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy FawkesSpink, Henry
History
The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy Fawkes
Spink, Henry
Gunpowder Plot, 1605; Monteagle, William Parker, Baron, 1574 or 1575-1622
[Footnote 83:——See “_Condition of Catholics under James I._,” by the Rev.
John Morris, S.J., pp. 256, 257 (Longmans). The charge of complicity was
based on an alleged reception of Father John Gerard, S.J. (the friend of
Sir Everard Digby, and author of the contemporary Narrative of the Plot),
by Sir John Yorke at Gowthwaite Hall, after the Gunpowder Treason. Gerard
left England in 1606, and there is no evidence whatever that he had
anything to do with the Plot. I do not know, for certain, how Sir John
Yorke fared as to the upshot of his prosecution. But I strongly suspect
that the tradition that obtains among the dalesmen of Nidderdale to the
effect that the Yorkes, of Gowthwaite (or Goulthwaite, as it is styled in
the Valley), were once heavily fined by the Star Chamber for acting in the
great Chamber of Gowthwaite a political play, wherein the Protestant
actors were worsted by the Catholic actors, sprang from these proceedings
against Sir John Yorke anent the Gunpowder Plot. For long years after the
reign of James I., the Yorkes, like the Inglebies their relatives, were
rigid Catholics. This ancient and honourable family of Yorke is still in
existence, being represented by T. E. Yorke, Esquire, J.P., of Bewerley
Hall, Pateley Bridge. The old home of the Yorkes, Gowthwaite Hall, where
doubtless many priests were harboured “in the days of persecution,” is
about to be pulled down to make way for the Bradford Reservoir. I visited,
about 1890, the charming old Hall built of grey stone, with mullioned
windows. A description of this historic memorial of the days of Queen
Elizabeth and James I. is to be seen in “_Nidderdale_,” by H. Speight, p.
468 (Elliot Stock); also in Fletcher’s “_Picturesque Yorkshire_” (Dent &
Co.), which latter work contains a picture of the place, a structure “rich
with the spoils of time,” but, alas! destined soon to be “now no more.”
Ripley Castle, the home of the Inglebies, at the entrance to Nidderdale
(truly the Switzerland of England), still rears its ancient towers, and
still is the roof-tree of those who worthily bear an honoured historic
name for ever “to historic memory dear.”
“_From Eden Vale to the Plains of York_,” by Edmund Bogg, contains
sketches of both Ripley Castle and Gowthwaite Hall. Lucas’s “_Nidderdale_”
(Elliot Stock) is also well worth consulting for its account of the
dialect of this part of Yorkshire which, like the West Riding generally,
retains strong Cymric traces. There are also British characteristics in
the build and personal appearance of the people, as also in their
marvellous gift of song. The Leeds Musical Festival and its Chorus, for
example, are renowned throughout the whole musical world.]
Public-domain text, read in full here on John Shaqi.
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