The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy FawkesSpink, Henry
History
The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy Fawkes
Spink, Henry
Gunpowder Plot, 1605; Monteagle, William Parker, Baron, 1574 or 1575-1622
For the Plot _was_ “his father’s contrivance,” considered as to its broad
ultimate _effects_ on the course of English History, in that the Plot was
made a seasonable handle of for the destruction of English Popery. And a
valuable and successful handle it proved too, as mankind knows very well
to-day. Though “what’s bred in the bone” is apt, in this world, “to come
out in the flesh.” Therefore, the British statesman or philosopher needs
not be unduly alarmed if and when, from time to time, he discerns about
him incipient signs, among certain members of the English race, of that
“staggering back to Popery,” whereof Ralph Waldo Emerson once sagely
spoke.
“_’Tis a strange world, my masters! And the whirligig of Time brings round
strange revenges!_”
CHAPTER XLIV.
We come now to the last portion of this Inquiry——to the last portion,
indeed, but not to the least.
For we have now to consider what Evidence there is tending to prove that
_subsequent_ to the penning of the Letter by Father Edward Oldcorne, he
was _conscious_ of having performed the meritorious deed that, I maintain,
the Evidence, deductions, and suggestions therefrom all converge to one
supreme end to establish, namely, that it is morally (not mathematically)
certain that his hand, and his hand alone, actually penned that immortal
Letter, whose praises shall be celebrated till the end of time.
Before considering this Evidence let me, however, remind my readers that
there is (1) _not only a general similarity_ in the handwriting of the
Letter and Father Oldcorne’s undoubted handiwork——the Declaration of the
12th day of March, 1605-6——_a general similarity_ in point of the size of
the letters and of that indescribable something called style,[141] _but
(2) a particular similarity_ in the formation of the letters in the case
of these following, namely, the small c/s, l/s, i/s, b/s, w/s, r/s, long
s/s (as initials), short s/s (as terminals), while the m/s and n/s are not
inconsistent.[A]
[Footnote A: Bentham aptly terms the comparison of Document with Document,
“Circumstantial real Evidence.”——See Best’s “_Principles of the Law of
Evidence_,” and Wills on “_Circumstantial Evidence_.” See Miss Walford’s
Letter (Appendix).]
Moreover, there is (3) this fact to be remembered, that in both the Letter
and in the said Declaration, the name “God” is written with a small “g,”
thus: “god.”
It is true that, of course, not only did this way of writing the name of
the Supreme Being then denote no irreverence, but it was commonly so
written by Englishmen in the year 1605.
Still, it was certainly _not by them universally so written_. For in the
fac-simile of “_Thomas Winter’s Confession_” the word “God” occurs more
than once written with a handsomely made capital G,[142] to mention none
other cases.
Public-domain text, read in full here on John Shaqi.
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