The Haciendas of Mexico: An Artist's RecordBartlett, Paul Alexander
History
The Haciendas of Mexico: An Artist's Record
Bartlett, Paul Alexander
Bartlett, Paul Alexander, 1909-1990; Haciendas -- Mexico -- Pictorial works; Haciendas in art
The other tradition was based on the methods and knowledge that the
sixteenth-century Iberian brought Mexico: the wheel, sophisticated
tools, steel, industrial know-how, marine architecture, navigational
skills, and gunpowder. But the Conquistadors also destroyed much.
Although many of the pre-Columbian societies were warlike, the Monte
Albán temples in the state of Oaxaca appear to represent a local
culture that had fostered peace for some fifteen hundred years. The
Iberian invaders were not familiar with such ancient traditions and
often failed to appreciate their values. They destroyed towns and
cities, burned books, disrupted the ecology, spread disease, and
diminished the arts, crafts, and culture of the new world.
It was not until the twentieth century that Mexico came to the
forefront internationally. Respect for the country grew as Mexico
undertook to restore its pre-Columbian sites, assembled comprehensive
anthropological collections, and established a University City and a
dynamic, original metropolitan architecture. Famous artists
contributed to this period of awakened cultural awareness: Roberto
Montenegro, Covarrubias, Orozco, Rivera, O'Higgins, Tamayo, and
Siqueiros. A folkloric ballet, a national symphony, and entertainers
like Conchita Cintrón, Dolores del Río, and Cantinflas broadened the
cultural landscape.
Among contemporary writers, Luis Spota, Carlos Fuentes, Sergio Galino,
Luisa Hernández, Augustín Yañez, Octavio Paz, and Antonio Haas have
interpreted Mexico for a large public. Leopoldo Zea and Ramón Xirau
have added to Mexico's philosophical thought. Silvio Zavala has
contributed to Mexican history.
The radio and television media are following American footsteps--eager
to keep pace. There is no hacienda nostalgia in Mexico--only frenetic
pressure for industrialization and overall capitalism. Most renowned
haciendas are only memories: they are _cascos_, _recuerdos_.
[Illustration: Hacienda de Valenciana, Guanajuato: residence.]
The 1529 Hacienda San Gabriel de Las Palmas, in Morelos, has become an
American luxury residence; other mansions house millionaires; still
others have become motels, dairies, factories, schools, posh
restaurants, subdivisions with an hacienda office. But hundreds of
hacienda homes have been totally abandoned. They are piles of
rubble--no more than place-names.
In the struggle to eliminate the hacienda system, more than eight
hundred thousand men, women, and children died.
Forces that held together a dubious past seek to achieve an enlightened
future. Education continues to enrich more and more lives. Mexico's
present-day inflation and political corruption have halted the
country's advance, but these unfortunate conditions cannot last.
+Bibliography+
+General Works+
Ajofrín, Francisco de, _Diario del Viaje en el Siglo XVIII_ (Madrid,
1958).
Beals, Carleton, _Mexican Maze_ (New York: J. B. Lippincott, 1951).
Public-domain text, read in full here on John Shaqi.
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