"Why, that explains it!" exclaims Crewe, in the voice of a man who had
solved a difficulty.
"Explains what?" asked Inspector Chippenfield.
"Explains why her father has taken the risk of coming forward in this
case to give evidence for Holymead. Gratitude for what Holymead had done
for his girl while he was in prison. My experience of criminals is that
they frequently show more real gratitude to those who do them a good turn
than people in a respectable walk of life. Besides, you know what a
sentimental value people of his class attach to seeing their kin buried
decently. If Holymead hadn't come forward the girl would have been buried
as a pauper, in all probability."
"But I don't see that old Kemp is taking much risk," said Inspector
Chippenfield. "He is only perjuring himself, and he is too used to that
to regard it as a risk."
"Don't you think he will be in an awkward position if the jury were to
acquit Holymead?" asked Crewe. "One jury has already said that Sir Horace
Fewbanks was dead when Birchill broke into the house, and if this jury
believes Kemp's story and says Sir Horace was alive when Holymead left
it, don't you think Kemp will conclude that it will be best for him to
disappear? Some one must have killed Sir Horace after Holymead left, and
before Birchill arrived."
"Whew! I never thought of that," said Rolfe candidly.
"Kemp is a liar from first to last," said Inspector Chippenfield
decisively.
CHAPTER XXXI
When they reached Riversbrook they entered the carriage drive and
traversed the plantation until they stood on the edge of the Italian
garden facing the house. The gaunt, irregular mansion stood empty and
deserted, for Miss Fewbanks had left the place after her father's
funeral, with the determination not to return to it. The wind whistled
drearily through the nooks and crannies of the unfinished brickwork of
the upper story, and a faint evening mist rose from the soddened garden
and floated in a thin cloud past the library window, as though the ghost
of the dead judge were revisiting the house in search of his murderer.
The garden had lost its summer beauty and was littered with dead leaves
from the trees. The gathering greyness of an autumn twilight added to the
dreariness of the scene.
"Kemp didn't say how far he stood from the house," said Crewe, "but we'll
assume he stood at the edge of the plantation--about where we are
standing now--to begin with. How far are we from that library window,
Chippenfield?"
"About fifty yards, I should say," said the inspector, measuring it
with his eye.
"I should say seventy," said Rolfe.
Public-domain text, read in full here on John Shaqi.
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