"It is not a question of money with a man like Colwyn, and I advise you
not to use that tone with him if you want his help."
"Very well," said Phil, pocketing the address Musard had written down.
"I will catch the 6.30 evening train up. Aunt, you might tell them to
give me something to eat in the small breakfast-room. I do not want to
be bothered getting dinner in town."
"Phil, dear, you mustn't dream of going to London in your present state
of health," expostulated Miss Heredith tearfully. "Why not leave it
until you are stronger? Vincent, try and persuade him not to go."
"Phil is the best judge of his own actions in a matter like this,"
replied Musard gravely.
"At least let Vincent go with you, Phil," urged his aunt.
"I want nobody to accompany me," replied Phil, speaking in a tone he had
never used to his aunt before. "I will go and get ready. Tell Linton to
have the small car ready to drive me to the station."
CHAPTER XV
Colwyn had rooms in the upper part of a block of buildings on Ludgate
Hill, looking down on the Circus, above the rookery of passages which
burrow tortuously under the railway arches to Water Lane, Printing House
Square, and Blackfriars. It was a strange locality to live in, but it
suited Colwyn. It was in the thick of things. From his windows, high up
above the roar of the traffic, he could watch the ceaseless flow of life
eastward and westward all day long, and far into the night.
No other part of London offered such variety and scope in the study of
humanity. The City was stodgy, the Strand too uniform, Piccadilly too
fashionable, and the select areas for bachelor chambers, such as the
Temple and Half Moon Street, were backwaters as remote from the roaring
turbulent stream of London life as the Sussex Downs or the Yorkshire
Moors.
In addition to these things, the spot offered a fine contrast in walks
to suit different moods. There was that avenue of wizardry, Fleet
Street, whose high-priests and slaves juggled with the news of the
world; there was the glitter of plate-glass fronts between the Circus
and St. Paul's, the twilight stillness of the archway passages and their
little squeezed shops, the isolation of Play House Yard and Printing
House Square, the bustle of Bridge Street, and the Embankment. From his
window Colwyn could see the City shopgirls feeding the pigeons of St.
Paul's around the statue of Queen Anne.
Public-domain text, read in full here on John Shaqi.
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