The Hand-Made Gentleman: A Tale of the Battles of PeaceBacheller, Irving
History
The Hand-Made Gentleman: A Tale of the Battles of Peace
Bacheller, Irving
United States -- History -- 19th century -- Fiction
CTOBER had returned, and a letter had come from my friend McCarthy,
asking me to visit him. My sister had learned telegraphy at home, and
could take and send well enough to do my work at the office. It was
arranged, therefore, that she and my mother should close the Mill House
and come to town for a week or two, so that she could take my place.
The hand-made gentleman had built his factory in the thriving town of
Rushwater, on the Central Railroad. It took a long summer day to get
there, for the engine was fed with wood, and we had now and then to load
the tender with fuel, corded on the right of way, or drive cattle from
the track or water the locomotive or mend a coupling, and had to wait at
the junction for trains in equally bad luck.
Early in the evening I found my friend McCarthy at the leading hotel in
Rushwater, where he boarded.
“Pleased to see you,” he said, with dignity, as he shook my hand. “Have
you been to supper?”
“Yes,” I answered.
“Is there any kind of refreshment I can offer you?”
“Nothing except your company.”
He took me to the desk and introduced me as his friend, “Jacob Ezra
Heron, Esq., a gentleman from St. Lawrence County.”
“Give Mr. Heron the best the house affords, and put it on my bill,”
he added. I protested, whereupon he touched my arm and said: “You will
find, sir, that nobody will take your money in this town. If you will
walk with me, I will show you my factory.”
I asked for my friend Pearl, and McCarthy said that Pearl and Barker
were in New York, and were coming to Rushwater in a day or two. The
inventor had worked awhile in the shop, and planned a lot of machines
which had hastened the process of manufacture. In June he had drawn his
pay and left suddenly for parts unknown.
“I think that he went to the war,” said Mr. McCarthy; “but he never let
on. Said he'd turn up here one of these days, and last week I got a long
letter from the old man. Said he'd been sick, and was ready to come back
to the shop if I wanted him. Of course, I said come on. We made our way
through dark streets and stopped in front of a building--large for that
day and country--on the river shore.
“There it is,” he remarked, as we gazed for half a moment at the dim
outlines of his building. “I am the most extensive shipper of small
freight on the railroad.”
We entered the building, and he led me to his office and lighted a lamp.
It was a large room, elegantly furnished. The chairs and table were made
of mahogany and a soft carpet covered the floor. A large portrait of
Napoleon Bonaparte hung on the wall.
Those days the face and story of “The Little Corporal” were a power in
the land, and not the most wholesome one, I have thought.
“This is grand,” was my remark.
“I am making money,” said the hand-made gentleman, “and I propose to
look as prosperous as I am. Sal is now the smallest part of my business.
I spend twenty thousand a year advertising. My harp has four strings and
one tune. Here it is.”
Public-domain text, read in full here on John Shaqi.
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