She pondered over the letter as she walked by the shore that day, and after some hesitation decided to go. 38. ENCKWORTH COURT It was on a dull, stagnant, noiseless afternoon of autumn that Ethelberta first crossed the threshold of Enckworth Court. The daylight was so lowered by the impervious roof of cloud overhead that it scarcely reached further into Lord Mountclere's entrance-hall than to the splays of the windows, even but an hour or two after midday; and indoors the glitter of the fire reflected itself from the very panes, so inconsiderable were the opposing rays. Enckworth Court, in its main part, had not been standing more than a hundred years. At that date the weakened portions of the original mediaeval structure were pulled down and cleared away, old jambs being carried off for rick-staddles, and the foliated timbers of the hall roof making themselves useful as fancy chairs in the summer-houses of rising inns. A new block of masonry was built up from the ground of such height and lordliness that the remnant of the old pile left standing became as a mere cup-bearer and culinary menial beside it. The rooms in this old fragment, which had in times past been considered sufficiently dignified for dining-hall, withdrawing-room, and so on, were now reckoned barely high enough for sculleries, servants' hall, and laundries, the whole of which were arranged therein. The modern portion had been planned with such a total disregard of association, that the very rudeness of the contrast gave an interest to the mass which it might have wanted had perfect harmony been attempted between the old nucleus and its adjuncts, a probable result if the enlargement had taken place later on in time. The issue was that the hooded windows, simple string-courses, and random masonry of the Gothic workman, stood elbow to elbow with the equal-spaced ashlar, architraves, and fasciae of the Classic addition, each telling its distinct tale as to stage of thought and domestic habit without any of those artifices of blending or restoration by which the seeker for history in stones will be utterly hoodwinked in time to come. To the left of the door and vestibule which Ethelberta passed through rose the principal staircase, constructed of a freestone so milk-white and delicately moulded as to be easily conceived in the lamplight as of biscuit-ware. Who, unacquainted with the secrets of geometrical construction, could imagine that, hanging so airily there, to all appearance supported on nothing, were twenty or more tons dead weight of stone, that would have made a prison for an elephant if so arranged? The art which produced this illusion was questionable, but its success was undoubted. 'How lovely!' said Ethelberta, as she looked at the fairy ascent. 'His staircase alone is worth my hand!'