The Hand of the Mighty, and Other StoriesKester, Vaughan
General
The Hand of the Mighty, and Other Stories
Kester, Vaughan
American fiction -- 20th century; Short stories, American
He saw the woman he adored, through his neglect and indifference, about to cast away her life. She had all but yielded, when she ran back into the room and paused beneath a picture that hung on the wall. It was of herself when she was a bride. She compared herself with it. They were the same in look and feature,—and yet she had lost so much! Standing on tiptoe, with her small white hand she struck the canvas until it was torn and marred. She would leave no record of the past to mock at her—to tell what she had been!
A few moments sufficed for the work of destruction, and she rejoined the man who had waited for her the while by the window. Together they were advancing toward it, when a figure glided from behind the curtains that closed an inner door. It was Rearton's future self. A polished bit of steel glittered in his hand. He came between them and the balcony.
Thus confronted, the woman sank into a chair, bowing her head in her hands; but more from shame than fright. The two men gazed sternly at each other. Slowly, steadily, Rearton raised the gleaming piece of metal, there was a puff of smoke—another—and another—
With the first one the woman had sprung to her feet and darted forward, throwing herself before the man she loved. With the last puff of smoke she slipped from his arms—for she had sought a refuge there,—falling swiftly to the floor with a little sob of mingled pain and relief that compassed all contentment, for it was distinctly audible, stealing through the silence of the unborn years. A spot of purple darkened the whiteness of her breast.
Seeing what he had done, Rearton fell on his knees beside her and took the heavy head on his shoulder, trying to call her back to life and love. When he saw that all hope was vain, he covered his face with his hands.
Once more the shadows came. Once more the faces filled the air, and the scene had shifted. The signs of unspeakable suffering were stamped upon Rearton's brow when I again saw distinctly. He stood on the deck of a ship, his son at his side. I divined that he had escaped punishment, and was seeking forgetfulness—the unfound—in wanderings to the far ends of the earth. Hiding in his cabin aboard the same ship, they unconscious of his presence, but he conscious of theirs, was the man who had loved Rearton's wife. By what chance they were brought so near was unknown to me. For an instant I observed the three and then they were gone. Space swallowed them up, and only the ocean lay climbing to the moon.
Then came wind and storm, and the waters throbbed against the night, beating its black bosom; but the first streaks of dawn showed both sea and shore,—the sea still vexed by memory of the gale,—and a mighty stretch of sand that rolled before the wind as did the waves. The sun rose red, and showed dark on its crimson rim the solitary figure of a man edging the desert. It was Rearton. He was alone. I saw that his dress was torn and discolored, stained and wet.
Public-domain text, read in full here on John Shaqi.
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