The Happiness of Heaven: By a Father of the Society of JesusBoudreaux, F. J.
Religion
The Happiness of Heaven: By a Father of the Society of Jesus
Boudreaux, F. J.
Heaven
If you were told, for instance, that a musician, who never served
God, but who, nevertheless, received the grace of a death-bed
repentance, shall, on account of his cultivated musical ear, enjoy
more pleasure from heavenly music than the Blessed Virgin, the
apostles, martyrs, and holy virgins, your whole soul would
undoubtedly revolt at such a doctrine. You would maintain that if
heaven is the reward of supernatural virtue, its whole happiness, its
every joy, and its every delight, whether from God himself or from
creatures, should be enjoyed in a higher degree by those who have
loved and served Him in a more perfect manner, and sacrificed
themselves more completely for Him.
You would certainly be right in maintaining all this, for it is
certainly so. The highest in heaven will not only possess a greater
elevation of mind--which is necessary to enjoy greater pleasure even
from creatures--but their senses also will be more refined and acute,
and will, therefore, enable them to enjoy more refined pleasures from
the objects of sense. It will be as already explained for the
Beatific Vision. All shall see, hear, and otherwise enjoy the
creatures prepared by the Almighty to rejoice the senses of His
children; but all shall not, on that account, enjoy the same amount
of pleasure. Each one shall receive his own pleasure, according to
the supernatural perfection of his senses which he has deserved by
the holiness of his life.
Let us endeavor to understand this, by supposing a grand concert
given in a church, where all classes of society are represented. All
hear the music, both vocal and instrumental, and all, no doubt,
receive pleasure. But do they all receive the same amount of
pleasure? They certainly do not. We may, for the sake of
illustration, divide that vast assembly into three general classes.
The first consists of those who have little or no musical ear, and,
therefore, the concert affords them only an inferior pleasure. The
next class is composed of those who have a good natural ear for
music, but who never have developed and cultivated it by study. These
evidently receive a far greater pleasure than the former. But the
third class is composed of those who not only possess a natural
talent for music, but who have, moreover, developed it by patient and
assiduous study. These last receive unbounded pleasure. They follow
with ease each instrument and voice into the most intricate harmony;
they receive the most exquisite pleasure precisely in those parts
where the uneducated perceive little or no beauty, because the music
is too scientific for them.
Public-domain text, read in full here on John Shaqi.
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