Her meditations on chinny Australians lasted till they reached the
Fairy Dell, the sight of which chased every other thought from her
head. Surrounded by she-oaks and native cherry trees a smoothly curved
hollow lay at the foot of a rocky declivity, its sides clothed with
ferns almost startlingly green amidst the dried-up grass which covered
most of the country around. A silvery cascade of water fell down the
rock at the far side, its fine spray blown by the wind over the little
hollow, looking in the sunlight like the veil of a fairy bride. Mollie
recognized the delicate fronds of maidenhair growing in clumps here and
there, and the edge of the pool at the bottom of the hollow was fringed
with wild forget-me-nots.
The children scrambled down and seated themselves in a shady spot,
untying their sun-bonnets and holding their hot and dusty faces towards
the filmy veil of foam.
"It is heavenly," Mollie said, with a long sigh, as she sniffed up the
cool scent of the damp ferns. "I don't wonder you call it the Fairy
Dell."
"It is Mamma's favourite spot, and we often have picnics here," said
Prue, hanging her sun-bonnet on a branch of she-oak that spread above
them. "There's the water all ready, you see, and there's a place up
there where we can light our fire. Mamma sketches, and we bring our
books or we hunt for wild flowers; it is always a nice place to be in.
Now we can eat our fruit." She produced a knife from her basket and cut
a melon in halves. Its delicate pink flesh and black seeds called forth
more enthusiastic admiration from Mollie.
"Let us arrange all the things among the ferns," she suggested, "and
gather some forget-me-nots to put beside that pink melon; then the
purple grapes; then the peaches--isn't it _pretty_, Prue?"
Prue nodded her head; she was speechless with melon, and soon the other
two were following her example; and melon was followed by peaches.
Then Grizzel jumped to her feet. "There is a cache here," she said.
"Papa often pops something in for a surprise when he passes this way.
I'm going to look; there might be a pencil there, and I want to draw
that fruit."
She soon returned, carrying in her hand a small basket, which yielded
up two books, a small sketching-block, and a box of chocolates. "You
can have the books," she announced, "one is _From Six to Sixteen_, by
Mrs. Ewing, and the other is _Twenty Thousand Leagues under the Sea_,
by Jules Verne."
Mollie, being the guest, got first choice and took Jules Verne, turning
the pictures over with much interest as she compared the _Nautilus_
with the submarine of 1920.
"I do think," she said emphatically, helping herself to a large
chocolate-cream with entire disregard of both past and future, "I do
think that your father is a perfect _peach_."
Grizzel glanced up from her drawing to the still-life study before her.
"He is more the shape of a water-melon," she remarked.
Mollie laughed.
Public-domain text, read in full here on John Shaqi.
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