Betrothal -- Fiction; Courtship -- Fiction; Middle West -- Fiction; United States -- Social life and customs -- Fiction
But even if he now felt glad that he was a newspaper man instead of a
railroad man, he was quite willing to return to Macochee on any terms.
He had tried to convince himself that he knew the very moment the train
swept across the Indiana line into Ohio, and he felt a fine glow of
state pride. He held his pride somewhat in check until he heard some one
speak a name that he recognized as that of an Ohio town and then he
boasted to the porter:
"Well, I'm back in my own state again."
The porter, though ready to admit that Ohio was a pretty good old state,
was nevertheless not very responsive, and Marley saw that he would have
to enjoy his sensations all alone.
He could view with satisfaction the figure of a tolerably well-dressed
city man reflected in the long mirror that swayed with the rushing of
the heavy coach. He knew that his return would create a sensation in
Macochee, though he was resolved to be modest about it. Even if he was
not returning to Macochee in the ceremony he had dreamed of, he was
returning in a way that was distinguished enough for him and for
Macochee.
He was eager to see the old town; he tried to imagine his return in its
proper order and sequence, first, the little depot, blistering in the
hot sun of the August afternoon, the rails gleaming in front of it, and
the air above them trembling in the heat; he could see the baggage
trucks tilted up on the platform; from the eating-house came the odor of
boiled ham compromised by the smell of the grease frying on the
scorching cinders that were heaped about the ties; beyond was the grain
elevator that once appeared so monstrous in his eyes; across the tracks,
the weed-grown field; and the only living things in sight the two men
unloading agricultural machines from a box-car abandoned on a siding,
the only sound, the ticking of a telegraph instrument; the target was
set, but the station officials had not yet appeared.
Thence, in thought, he went up Miami Street; he saw the Court House and,
lounging along the stone base of the fence, the loafers whom no one had
ever seen move, but who yet must have made some sort of imperceptible
astronomical progress, for they kept always just in the shadow of the
building; then the old law office across the way; then Main Street, with
its crazy signs, its awnings, and the horses hitched to the racks, then
the Square with its old gabled buildings, the monument and the
cavalryman, the long street leading to his own home, and at last, Ward
Street, arched by its cottonwoods,--and he recalled his unfinished
verses which had taken Ward Street for a subject:
"I know a place all pastoral,
Where streams in winter flow,
And where down from the cottonwoods
There falls a summer snow."
And then, at last, the old house of the Blairs' with its cool veranda,
its dark bricks, its broad overhanging cornices, and Lavinia standing in
the doorway!
Public-domain text, read in full here on John Shaqi.
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