The Happy Days of the Empress Marie LouiseImbert de Saint-Amand
History
The Happy Days of the Empress Marie Louise
Imbert de Saint-Amand
Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847
At six in the evening Napoleon and Marie Louise drove in an open
barouche through the park, without guard or escort, to the great delight
of the applauding multitude. The orange house, which had been stripped
of its contents for the decoration of the front of the palace, was
adorned with stuffs of fine colors. Temples and kiosks had been set
up in the shrubbery. At nightfall six illuminated launches, manned
by sailors of the Imperial Guard, performed various evolutions and
discharged fireworks, which made a brilliant show upon the river.
Meanwhile the illuminations began throughout the park, along the
terraces, and the amphitheatre, and in the palace. It was a most
fairy-like sight; the large cascade with its half-lying statues of the
Seine and the Loire; the lower cascade beneath; the fountain rising
twenty-seven metres; the large square basin with the ten little
shell-shaped basins and the nine fountains spurting from gilded masques;
the green lawns, the flower-beds, the shrubbery,--all lit up by the
blazing fireworks. At nine o'clock Madame Blanchard went up in a
balloon, discharging fireworks from the car, which formed a starlike
crown set at a great height; she seemed like a magician in a fiery
chariot. Fireworks were then set off by the artillery of the Imperial
Guard from the middle of the Plain of Boulogne; they were visible from
Paris as from Saint Cloud, and from all the hills bordering the
Seine from Calvaire to Meudon. Next to the row of columns opened the
illuminated garden, with waterfalls, trees, and porticoes, forming a
most brilliant spectacle. The Emperor and Empress walked through the
park, and Marie Louise was continually reminded of her beloved Austria,
of Schoenbrunn, of the Burg, of Laxenburg, by the wonderful panorama.
There were many bands stationed among the trees, playing waltzes, and
dancers from the opera, dressed as German shepherds and shepherdesses,
were dancing. An interlude, "The Village Festival," words by Étienne,
set to music by Nicolo, was given in the open air, on the grass. When
the Empress came to a column supporting a basket of flowers, a dove alit
at her feet and offered her an ingenious motto.
Public-domain text, read in full here on John Shaqi.
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